Our Supporters

The Art Canada Institute gratefully acknowledges the generosity of the following individuals, organizations, and corporations who have made our work possible:




Art Canada Institute Founding Patrons

Jalynn H. Bennett
The Butterfield Family Foundation
David and Vivian Campbell
Albert E. Cummings
Kiki and Ian Delaney
Jon and Lyne Dellandrea
The Fleck Family
Roger and Kevin Garland
Glorious & Free Foundation
The Scott Griffin Foundation
Jane Huh
The Gershon Iskowitz Foundation
Michelle Koerner and Kevin Doyle
Phil Lind
Nancy McCain and Bill Morneau
Sarah and Tom Milroy
Gerald Sheff and Shanitha Kachan
Sandra L. Simpson
Stephen Smart
Pam and Michael Stein
Nalini and Tim Stewart
Robin and David Young
Sara and Michael Angel



Founding Partner Patrons

Partners in Art
The Pierre Elliott Trudeau Foundation



In-Kind Donors

Aimia
Norton Rose Fulbright Canada LLP



Title Benefactors

Gluskin Sheff + Associates
Pierre Lassonde
Bob Rennie



Lead Sponsor for the Canadian Online Art Book Project

BMO Financial Group



Title Sponsors for the 2016–17 Canadian Online Art Book Project

Aimia
Kiki & Ian Delaney
The Scott Griffin Foundation
Rosamond Ivey
London Community Foundation

Karen Schreiber and Marnie Schreiber
The McLean Foundation



Title Sponsors for the 2015–16 Canadian Online Art Book Project

Aimia
Consignor Canadian Fine Art Autioneers & Appraisers
Gluskin Sheff + Associates Inc.
Hal Jackman Foundation
The McLean Foundation
K. James Harrison
Sandra L. Simpson
TD Bank Group



Title Sponsors for the 2014–15 Canadian Online Art Book Project

Aimia
Gluskin Sheff + Associates Inc.
The Hal Jackman Foundation
Phyllis Lambert
The McLean Foundation
TD Bank Group
Toronto Friends of the Visual Arts
The Harold Town Estate



Art Canada Institute Online Art Book Sponsors, 2013–14

BMO Financial Group
Rosamond Ivey
The Hal Jackman Foundation
Aimia
Gluskin Sheff + Associates Inc.
The McLean Foundation
TD Bank Group
Partners in Art
Rosenthal Zaretsky Niman & Co., LLP



Translation Support

CACHET as funded by a Social Sciences and Humanities Research Council Partnership Development Grant