Changing the Narrative for the Twenty-first Century

The Art Canada Institute would like to thank all of the following individuals for generously participating in dialogues about the development of this program and sharing their knowledge and experience as they offered advice.

Deepali Dewan

Dan Mishra Curator of South Asian Art & Culture at the Royal Ontario Museum, Toronto; Associate Professor, Department of Art at the University of Toronto.

 

Philip Dombowsky

Archivist at the National Gallery of Canada, Ottawa.

 

Anne Dymond

Associate Professor of Art History and Visual Culture, Faculty of Fine Arts, University of Lethbridge.

 

Andrea Fatona

Associate Professor, Faculty of Art, at OCAD University, Toronto; Canada Research Chair in Canadian Black Diasporic Cultural Production.

 

Anna Hudson

Professor of Art History at York University, Toronto; Director, Graduate Program in Art History & Visual Culture.

 

Heather Igloliorte

Associate Professor of Art History at Concordia University, Montreal; Concordia University Research Chair in Circumpolar Indigenous Arts, Art History.

 

Alice Ming Wai Jim

Professor of Contemporary Art at Concordia University, Montreal; Concordia University Research Chair in Ethnocultural Art Histories.

 

Gerald McMaster

Professor of Indigenous Visual Culture and Critical Curatorial Studies at OCAD University, Toronto; Canada Research Chair in Indigenous Visual Culture & Curatorial Practice; and director of the Wapatah Centre for Indigenous Visual Knowledge.

 

Charmaine Nelson

Professor of Art History at NSCAD, Halifax; Canada Research Chair in Transatlantic Black Diasporic Art & Community Engagement and Founding Director of NSCAD’s Institute for the Study of Canadian Slavery.

 

Ruth Phillips

Professor Emeritus of Art History at Carleton University, Ottawa.

 

Carmen Robertson

Professor of Art History at Carleton University, Ottawa; Canada Research Chair in North American Art and Material Culture in the Faculty of Arts and Social Sciences jointly appointed between the School for Studies in Art and Culture, the School of Indigenous and Canadian Studies, and the Institute for Comparative Studies in Literature, Art, and Culture.

 

Erin Silver

Assistant Professor of Art History at the University of British Columbia; Faculty Associate at the Institute for Gender, Race, Sexuality and Social Justice.

 

Ming Tiampo

Professor of Art History at Carleton University, Ottawa; Director of the Institute for Comparative Studies in Literature, Art and Culture (ISCLAC).

 

Georgiana Uhlyarik

Fredrik S. Eaton Curator of Canadian Art at the Art Gallery of Ontario; Adjunct Faculty at York University and University of Toronto; Research Associate, Modern Literature & Culture, Ryerson University.

 

Norman Vorano

Associate Professor and Head of the Department of Art History & Art Conservation at Queen’s University, Kingston; Queen’s National Scholar in Indigenous Art and Material Culture.

 

 

Banner image: Pitseolak Ashoona, The Eyes of a Happy Woman, c. 1974, coloured felt-tip pen on paper, 66.2 x 51 cm, National Gallery of Canada, Ottawa. © Dorset Fine Arts.

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