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The subjects of George Agnew Reid’s art range from the paintings of rural life that made his reputation as a young artist to sensitive portraits, Canadian history, domesticated landscapes and, in his later years, the rugged terrains he depicted in sketches, canvases, and prints that paralleled in theme the work of the Group of Seven (1920–33). Throughout most of his career, Reid was committed to the ideal of making beauty an integral aspect of everyday life for everyone. That goal reached maturity in his adherence to the ideology and aesthetics of the Arts and Crafts movement, especially in his work as an architect and designer.


  • Study of a Women with Arms on Head

    Study of a Woman with arms on head done at Academy of Fine Arts, Philadelphia 1884

  • The Call to Dinner

    The Call to Dinner 1886–87

  • The Story

    The Story 1890

  • Mortgaging the Homestead

    Mortgaging the Homestead 1890

  • Copy after Velázquez: “Portrait of a Dwarf with a Dog

    Copy after Velázquez “Portrait of a Dwarf with a Dog” 1896

  • Mary Hiester Reid

    Mary Hiester Reid 1898

  • Hail to the Pioneers, Their Names and Deeds Remembered and Forgotten We Honour Here

    Hail to the Pioneers, Their Names and Deeds Remembered and Forgotten We Honour Here 1898–99, restored in 1929

  • Piano and Piano Bench and Music Cabinet

    Piano and Piano Bench 1900 and Music Cabinet 1905

  • Portrait of Gustav Hahn

    Portrait of Gustav Hahn 1906

  • Upland Cottage

    Upland Cottage 1906-8

  • All Souls Church

    All Souls Church 1894, enlarged and modified in 1910 and 1915-16

  • Women Operators

    Women Operators 1919

  • The Valley of the Agawa

    The Valley of the Agawa 1932

  • The Prospectors

    The Prospectors 1935

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