Hannah Maynard’s photographic career was marked by experimentation with the medium, inventive approaches to self-promotion, and an ease in combining her professional life with home and family. Maynard produced photographs that captured the people and growth of Victoria from frontier town to settled capital. She did this through portraits of all of those who passed through or made it their home, from toddlers to miners and sailors to distinguished colonial personages. These selections reflect the varied, yet interconnected aspects of the photographs Maynard produced over the course of a career that spanned five decades and two centuries.
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Unidentified Child at a Mock Beach n.d.
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80 Views on the Frazer River c.1885
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Ah Foo, Charles Frederic Newcombe’s cook 1885
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Hannah Maynard as statuary c.1885
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Mrs. James Barnswell 1889
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Gems of British Columbia for the year 1890, “Sprays from the Gem Fountain,” 1890
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Studio portrait display boards 1881–92
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Hannah Hatherley Maynard at her desk in the parlour of the Maynard home c.1895
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Maynard McDonald and his grandmother, Hannah Maynard, cycling in Beacon Hill Park, Victoria c.1895
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Mrs. Carlo Bossi c.1890s
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Hannah Maynard in a tableau vivant c.1893–97
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Prisoner 298 c.1903
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About the Author
Elizabeth Anne Cavaliere teaches and researches Canadian art histories with a focus on photographic and institutional histories.
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.
