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Homer Watson was above all a painter of rural landscapes, and was especially devoted to settings that he knew intimately. Landscapes were biographical manifestos and philosophical statements, an opportunity to explore nature’s inner life, power, and meaning, but also to probe the delicate relationship of respect that he believed human beings should establish with the natural world. Those convictions were at the core of all his work, even while the aesthetics that informed his art changed substantially over the course of his career.

  • Homer Watson, The Death of Elaine, 1877

    The Death of Elaine 1877

  • Homer Watson, A Coming Storm in the Adirondacks, 1879

    A Coming Storm in the Adirondacks 1879

  • Homer Watson, The Pioneer Mill, 1880

    The Pioneer Mill 1880

  • Homer Watson, Near the Close of a Stormy Day, 1884

    Near the Close of a Stormy Day 1884

  • Homer Watson, Studio frieze, 1893–94

    Studio frieze 1893–94

  • Homer Watson, Log-cutting in the Woods, 1894

    Log-cutting in the Woods 1894

  • Homer Watson, The Flood Gate, c.1900–1

    The Flood Gate c.1900–1

  • Homer Watson, The River Drivers, 1914, 1925

    The River Drivers 1914, 1925

  • Homer Watson, The Ranges (Camp at Sunrise), 1915

    The Ranges (Camp at Sunrise) 1915

  • Homer Watson, Moonlight, Waning Winter, 1924

    Moonlight, Waning Winter 1924

  • Homer Watson, Moonlit Stream, 1933

    Moonlit Stream 1933

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