Copyright & Credits

 

 

Acknowledgements

From the Author
I would first like to thank Sara Angel for asking me to write this text, and also express my appreciation to Meg Taylor, Sarah Brohman, Alison Reid, Nathalie de Blois, Gaeby Abrahams, and the other members of the ACI team who have been so enthusiastic, helpful, and professional throughout. While I have benefited from conversations with many of Wieland’s friends and colleagues over the years, during the preparation of this online art book I was fortunate enough to meet with Phyllis Lambert, and I’d like to thank her for so vividly describing Wieland’s lively wit and intelligence and for sharing aspects of their friendship.
—Johanne Sloan

 

From the Art Canada Institute
This online art book was made possible thanks to the generosity of its lead sponsors: The Toronto Friends of the Visual Arts and Phyllis Lambert.

The ACI also gratefully acknowledges its other sponsors of the 2014–15 season of the Canadian Online Art Book Project: Aimia, BMO Financial Group, Gluskin Sheff + Associates Inc., The Hal Jackman Foundation, Harold Town Estate, and the TD Bank Group.

Thanks also to the Art Canada Institute Founding Patrons: Jalynn H. Bennett, The Butterfield Family Foundation, David and Vivian Campbell, Albert E. Cummings, Kiki and Ian Delaney, The Fleck Family, Roger and Kevin Garland, Michelle Koerner and Kevin Doyle, Phil Lind, Sarah and Tom Milroy, Charles Pachter, Gerald Sheff and Shanitha Kachan, Sandra L. Simpson, Robin and David Young, and Sara and Michael Angel; as well as its Founding Partner Patrons: The Pierre Elliott Trudeau Foundation and Partners in Art.

For their cooperation in creating this work, the ACI extends gratitude to the following institutions and individuals: Jim Shedden at the Art Gallery of Ontario; Allyson Adley at the Art Gallery of York University; the Clara Thomas Archives and Special Collections at York University; Martha Young at the Canada Council Art Bank; Library and Archives Canada; Raven Amiro, Emily Antler, and Kristin Rothschild at the National Gallery of Canada; Bruce Anderson at the MacKenzie Art Gallery; the Vancouver Art Gallery; University of Lethbridge Art Gallery; and Dennis Reid, John Reeves, Morden Yolles, and John Geoghegan.

 


 

Image Sources

Every effort has been made to secure permissions for all copyrighted material. The Art Canada Institute will gladly correct any errors or omissions.

 


 

Credits for Banner Images

 

Art Canada Institute, photograph of Joyce Wieland by Michel Lambeth, 1962
Biography: Joyce Wieland in 1961, photographed by Michel Lambeth. Estate of Michel Lambeth.
Art Canada Institute, Joyce Wieland, Notice Board, 1961
Key Works: Joyce Wieland, Notice Board, 1961. (See below for details.) 
Art Canada Institute, Joyce Wieland, Confedspread, 1967
Significance & Critical Issues: Joyce Wieland, Confedspread, 1967. (See below for details.)
Art Canada Institute, Joyce Wieland, still from The Far Shore, 1976
Style & Technique: Joyce Wieland, The Far Shore, 1976. (See below for details.)
Art Canada Institute, Joyce Wieland, True Patriot Love bookwork, 1971
Sources & Resources: Joyce Wieland, True Patriot Love bookwork, 1971. (See below for details.)
Art Canada Institute, Joyce Wieland, installation view of True Patriot Love
Where to See: Installation view of Joyce Wieland’s “True Patriot Love” exhibition at the National Gallery of Canada, Ottawa. Photo © NGC.

 

Credits for Works by Joyce Wieland

 

Art Canada Institute, Joyce Wieland, The Battery, 1963
The Battery, 1963. Private collection. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, Betsy Ross, Look What They’ve Done to the Flag You Made with Such Care, 1966
Betsy Ross, Look What They’ve Done to the Flag You Made with Such Care, 1966. Private collection. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, Boat Tragedy, 1964
Boat Tragedy, 1964. Art Gallery of Ontario, Toronto. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, The Camera's Eyes, 1966
The Camera's Eyes, 1966. Art Gallery of Hamilton, Gift of Irving Zucker, 1992. © National Gallery of Canada, Ottawa. Photo: Carlo Catenazzi, Art Gallery of Ontario, Toronto.
Art Canada Institute, Joyce Wieland, Cityscape, 1960
Cityscape, 1960. Collection of the Canada Council Art Bank, Ottawa. Photo credit: Yvan Boulerice. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, Confedspread, 1967
Confedspread, 1967. © National Gallery of Canada, Ottawa. Photo © NGC.
Art Canada Institute, Joyce Wieland, Cooling Room No. 1, 1964
Cooling Room No. 1, 1964. From the University of Lethbridge Art Collection; Gift of Vivian and David Campbell, 1989. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, The Death of Wolfe, 1987
The Death of Wolfe, 1987. Private collection. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, film still from The Far Shore, 1976
The Far Shore, 1976. Collection: Cinémathèque québécoise / © Cinémathèque québécoise.
Art Canada Institute, Joyce Wieland, Film Mandala, 1966
Film Mandala, 1966. Private collection. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, First Integrated Film with a Short on Sailing, 1963
First Integrated Film with a Short on Sailing, 1963. Private collection. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, Flicks Pics #4, 1963
Flicks Pics #4, 1963. Art Gallery of Ontario, Toronto. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, Heart On, 1961
Heart On, 1961. © National Gallery of Canada, Ottawa. Photo © NGC.
Art Canada Institute, Joyce Wieland, I Love Canada—J’aime le Canada, 1970
I Love Canada—J’aime le Canada, 1970. MacKenzie Art Gallery, University of Regina Collection. © National Gallery of Canada, Ottawa. Photo credit: Don Hall.
Art Canada Institute, Joyce Wieland, The King & Queen, 1960
The King & Queen, 1960. Private collection. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, March on Washington, 1963
March on Washington, 1963. Art Gallery of Hamilton, Gift of Irving Zucker, 1992. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, Notice Board, 1961
Notice Board, 1961. Collection of the Canada Council Art Bank, Ottawa. Photo credit: Yvan Boulerice. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, O Canada, 1970
O Canada, 1970. © National Gallery of Canada, Ottawa. Photo © NGC.
Art Canada Institute, Joyce Wieland, La raison avant la passion, 1968
La raison avant la passion, 1968. Pierre Elliott Trudeau Estate, courtesy of National Gallery of Canada, Ottawa, NGC60-L31.1. Photo © NGC.
Art Canada Institute, Joyce Wieland, Rat Life and Diet in North America, 1968
Rat Life and Diet in North America, 1968. Collection: Cinémathèque québécoise / © Cinémathèque québécoise.
Art Canada Institute, Joyce Wieland, Reason Over Passion, 1968
Reason over Passion, 1968. © National Gallery of Canada, Ottawa. Photo © NGC.
Art Canada Institute, Joyce Wieland, Reason over Passion / La raison avant la passion, 1969
Reason over Passion / La raison avant la passion, 1969. Collection: Cinémathèque québécoise / © Cinémathèque québécoise.
Art Canada Institute, Joyce Wieland, The Spirit of Canada Suckles the French and English Beavers, 1970–71
The Spirit of Canada Suckles the French and English Beavers, 1970–71, Art Gallery of Hamilton, Gift of Irving Zucker, 1992. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, Stranger in Town, 1963
Stranger in Town, 1963. Unknown collection. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, Stuffed Movie, 1966
Stuffed Movie, 1966. Collection of the Vancouver Art Gallery, Murrin Estate Funds, VAG 68.6. Photo: Trevor Mills, Vancouver Art Gallery. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, Summer Blues—Ball, 1961
Summer Blues—Ball, 1961. Agnes Etherington Art Centre, Queen's University, Kingston. Purchase, Chancellor Richardson Memorial Fund, 1992 (35-010). Photo credit: Bernard Clark.
Art Canada Institute, Joyce Wieland, True Patriot Love bookwork, 1971
True Patriot Love bookwork, 1971. © National Gallery of Canada, Ottawa. Photograph by Kayla Rocca.
Art Canada Institute, Joyce Wieland, Untitled (Myself as a Young Girl), n.d.
Untitled (Myself as a Young Girl), n.d. Unknown collection. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, Untitled (Woman and Fox), 1986–88
Untitled (Woman and Fox), 1986–88. Estate of Joyce Wieland. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, The Water Quilt, 1970–71
The Water Quilt, 1970–71. Art Gallery of Ontario, Toronto. © National Gallery of Canada, Ottawa.
Art Canada Institute, Joyce Wieland, Water Sark, 1975
Water Sark, 1965. Collection: Cinémathèque québécoise / © Cinémathèque québécoise.
Art Canada Institute, Joyce Wieland, West 4th, 1963
West 4th, 1963. Collection of Dennis Reid. © National Gallery of Canada, Ottawa. Photograph by Kayla Rocca.
Art Canada Institute, Joyce Wieland, Young Woman's Blues, 1964
Young Woman’s Blues, 1964. From the University of Lethbridge Art Collection; Purchased with funds provided by the Canada Council Special Purchase Grant, 1986. © National Gallery of Canada, Ottawa.

 

Credits for Photographs and Works by Other Artists

 

Art Canada Institute, Joyce Wieland, Catalogue for the Art Gallery of Ontario exhibition Joyce Wieland, 1987
Catalogue for the Art Gallery of Ontario exhibition Joyce Wieland, 1987, edited by Marie Fleming. (Toronto: Art Gallery of Ontario and Key Porter Books, 1987.) Photograph by Kayla Rocca.
Art Canada Institute, Joyce Wieland, installation view of Joyce Wieland’s Arctic Passion Cake, 1971
Installation view of Joyce Wieland’s Arctic Passion Cake, 1971, and La raison avant la passion, 1968, at the True Patriot Love exhibition, National Gallery of Canada, Ottawa. Photo © NGC.
Art Canada Institute, Joyce Wieland, installation view of Arctic Passion Cake, 1971
Installation view of Wieland’s Arctic Passion Cake, 1971, at the True Patriot Love exhibition, National Gallery of Canada, Ottawa. Photo © NGC.
Art Canada Institute, Joyce Wieland, installation view of Wieland’s Flag Arrangement, 1970–71
Installation view of Wieland’s Flag Arrangement, 1970–71, at the True Patriot Love exhibition, National Gallery of Canada, Ottawa. Photo © NGC.
Art Canada Institute, Joyce Wieland, installation view of Wieland’s 109 Views, 1970–71
Installation view of Wieland’s 109 Views, 1970–71. York University, Toronto. © National Gallery of Canada, Ottawa. Photograph by Kayla Rocca.
Art Canada Institute, Joyce Wieland, invitation to Joyce Wieland: New Paintings at the Isaacs Gallery, Toronto, 1963
Invitation to Joyce Wieland: New Paintings at the Isaacs Gallery, Toronto, 1963. York University Libraries, Clara Thomas Archives and Special Collections, Avrom Isaacs fonds (F0134), Accession 1996-036/033 (10). York University, Toronto, F0445 S00036. Photograph by Kayla Rocca.
Art Canada Institute, Joyce Wieland, invitation to the opening of Joyce Wieland Retrospective, 1957–67 at the Vancouver Art Gallery
Invitation to the opening of Joyce Wieland Retrospective, 1957–67 at the Vancouver Art Gallery. York University Libraries, Clara Thomas Archives and Special Collections, Avrom Isaacs fonds (F0134), Accession 1996-036/033 (10). Photograph by Kayla Rocca.
Art Canada Institute, Joyce Wieland, Orange Car Crash Fourteen Times, 1963
Orange Car Crash Fourteen Times, 1963, by Andy Warhol. © The Andy Warhol Foundation for the Visual Arts, inc. / SODRAC (2014). Digital Image © The Museum of Modern Art/Licensed by SCALA / Art Resource, NY.
Art Canada Institute, Joyce Wieland, photograph of Prime Minister Trudeau at the Liberal Leadership Convention in Ottawa in 1968
Prime Minister Trudeau at the Liberal Leadership Convention in Ottawa in 1968. Library and Archives Canada / Credit: Duncan Cameron / PA-111213.
Art Canada Institute, Joyce Wieland, photograph of Wieland and Michael Snow in 1964
Wieland and Michael Snow in 1964, photographed by John Reeves. Courtesy of John Reeves.
Art Canada Institute, photograph of Joyce Wieland in 1962 by Michel Lambeth
Wieland in her studio in 1962, photographed by Michel Lambeth. Estate of Michel Lambeth.
Art Canada Institute, Joyce Wieland, photograph of Joyce Wieland
Wieland in New York in 1964, photographed by John Reeves. Courtesy of John Reeves.
Art Canada Institute, photograph of Joyce Wieland in 1955 by Warren Collins
Wieland in 1955, photographed by Warren Collins.
Art Canada Institute, photograph of Joyce Wieland in 1988 by Michael Torosian
Wieland in 1988, photographed by Michael Torosian. National Gallery of Canada, Ottawa. © Michael Torosian.
Art Canada Institute, photograph of Joyce Wieland working on O Canada in 1970
Wieland working on O Canada in 1970, photographed by Robert Rogers. Photography Credit: Robert Rogers. Courtesy of NSCAD University, Gallery Archives, Lithography Workshop Fonds. 
Art Canada Institute, photograph of True Patriot Love exhibition opening on July 1, 1971
Wieland’s True Patriot Love exhibition opening on July 1, 1971, at the National Gallery of Canada, Ottawa. Unknown photographer. 

 


 

Book Credits

 

Publisher

Sara Angel


Editorial Director

Meg Taylor


Web Director and Layout

Avery Swartz


Image Research Director

Angelica Demetriou


Chief Copy Editor

Ruth Gaskill


Editor

Sarah Brohman


Image Research

Gaeby Abrahams, Lindsay Maynard


Copy Editor

Alison Reid


Translator and French Copy Editor

Nathalie de Blois


Administrative Assistant

Mary-Rose Sutton


Intern

Simone Wharton

 

Design Template

Studio Blackwell

 


 

Copyright

© 2014 Art Canada Institute. All rights reserved. 
ISBN 978-1-4871-0038-4

Art Canada Institute 
Massey College, University of Toronto
4 Devonshire Place
Toronto, ON M5S 2E1

Library and Archives Canada Cataloguing in Publication

Sloan, Johanne, 1959-, author
Joyce Wieland : life & work / Johanne Sloan.

Includes bibliographical references.
Contents: Biography — Key works — Significance & critical issues — Style &
technique — Sources & resources — Where to see.
Electronic monograph.
ISBN 978-1-4871-0040-7 (pdf).—ISBN 978-1-4871-0042-1 (epub)

1. Wieland, Joyce, 1930-1998. 2. Wieland, Joyce, 1930-1998—
Criticism and interpretation.  3. Women artists—Canada—Biography.
I. Art Canada Institute, issuing body  II. Title. 

N6549.W53S56 2014                         709.2                      C2014-904892-0 
 

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