From the Author
At the Art Canada Institute, I am grateful to Sara Angel, Meg Taylor, Anna Hudson, and Angelica Demetriou for their guidance and generosity. I would also like to acknowledge the editing prowess of Shannon Anderson, my substantive editor, as well as the fantastic work done by John Geoghegan on the image research and the stellar design by Simone Wharton. I am grateful for the valuable suggestions made by the anonymous peer reviewer. My thanks also to Janice Anderson of Concordia University’s Canadian Women Artists History Initiative for her help with Prudence Heward’s artist files. I am very grateful to Kristina Huneault in the Department of Art History at Concordia University for acting as my SSHRC Postdoctoral supervisor, as well as for her innovative and brilliant scholarship on Canadian women artists. Finally, I would like to dedicate this text to Janice Helland, my PhD supervisor at Queen’s University; she was the first to inspire my passion for feminist art history and the study of women artists.
From the Art Canada Institute
This online art book was made possible thanks to BMO Financial Group, Lead Sponsor for the Canadian Online Art Book Project, and the book’s Title Sponsor, Sandra L. Simpson. The Art Canada Institute gratefully acknowledges the other sponsors for the 2014–15 Season: Aimia, Consignor Canadian Fine Art, Gluskin Sheff + Associates Inc., the Hal Jackman Foundation, K. James Harrison, The McLean Foundation, and TD Bank.
Thanks also to the Art Canada Institute Founding Patrons: Sara and Michael Angel, Jalynn H. Bennett, the Butterfield Family Foundation, David and Vivian Campbell, Albert E. Cummings, Kiki and Ian Delaney, the Fleck Family, Roger and Kevin Garland, the Gershon Iskowitz Foundation, Michelle Koerner and Kevin Doyle, Phil Lind, Sarah and Tom Milroy, Nancy McCain and Bill Morneau, Gerald Sheff and Shanitha Kachan, Sandra L. Simpson, Pam and Mike Stein, and Robin and David Young, as well as its Founding Partner Patrons: The Pierre Elliott Trudeau Foundation and Partners in Art.
For their research support and generous contribution of images to this publication, the ACI gratefully acknowledges the support and assistance of the Agnes Etherington Art Centre (Jennifer Nicoll); the Art Gallery of Hamilton (Christine Braun and Lela Radisevic); the Art Gallery of Ontario (Jim Shedden and Ebony Jansen); the Art Gallery of Windsor (Catharine M. Mastin and Nicole McCabe); Eric Klinkhoff; the Masters Gallery; the McMichael Canadian Art Collection (Janine Butler and Ki-in Wong); the Montreal Museum of Fine Arts (Jacques Des Rochers and Marie-Claude Saia); Musée national des beaux-arts du Québec; the National Gallery of Canada (Kristin Rothschild, Philip Dombowsky, Raven Amiro, and Erika Dola); A.K. Prakash; Queen’s University Archives (Heather Home); the Robert McLaughlin Gallery (Sonya Jones and Linda Jansma); the University of Toronto (Heather Pigat and Daniella Sanader); Véhicule Press (Simon Dardick); the Winnipeg Art Gallery (Nicole Fletcher); and private collectors who wish to remain anonymous.
Every effort has been made to secure permissions for all copyrighted material. The Art Canada Institute will gladly correct any errors or omissions.
Credits for Banner Images
Credits for Works by Prudence Heward
Credits for Photographs and Works by Other Artists
1. Heward, Prudence, 1896-1947. 2. Heward, Prudence, 1896-1947—
Criticism and interpretation. 3. Women painters—Canada—Biography.
I. Heward, Prudence, 1896-1947. Paintings. Selections. II. Art Canada
Institute, issuing body III. Title.