Trained in England and France as a portraitist, Sophie Pemberton embraced the academic realist style, creating images that were accurate reflections of specific individuals. She also painted exquisite and technically difficult figure studies of leisured women as well as genre scenes of people at work. Away from the studio, she broadened her interests and her style, incorporating Impressionist qualities in her landscapes and urban views. In midlife, family tragedies overwhelmed her for a few years and, later, with eyesight failing, she focused on decorative domestic art inspired by Dutch and Flemish painters of mythological birds and detailed floral compositions.


  • Sophie Pemberton, Life drawing of a male, 1893

    Life drawing of a male 1893

  • Sophie Pemberton, Daffodils, 1897

    Daffodils 1897

  • Sophie Pemberton, Little Boy Blue, 1897

    Little Boy Blue 1897

  • Sophie Pemberton, Bibi la Purée, 1900

    Bibi la Purée 1900

  • Sophie Pemberton, Un Livre Ouvert, 1900

    Un Livre Ouvert 1900

  • Sophie Pemberton, Spring, 1902

    Spring 1902

  • Sophie Pemberton, Caudebec-en-Caux, 1903

    Caudebec-en-Caux 1903

  • Sophie Pemberton, Lady Sarah Crease, 1907

    Sarah, Lady Crease 1907

  • Sophie Pemberton, Mosquito Island, 1907

    Mosquito Island 1907

  • Sophie Pemberton, Time and Eternity, 1908

    Time and Eternity 1908

  • Sophie Pemberton, Driveway of Moulton Combe, Oak Bay, 1921

    Driveway of Moulton Combe, Oak Bay 1921

  • Sophie Pemberton, Serving tray with hand-painted decoration, 1921

    Serving tray with hand-painted decoration by artist 1921

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