Where to See

Barb Hunt, Antipersonnel, 1998–2003
Knitted pink yarn
Variable dimensions

Jack Shadbolt, Dog Among the Ruins, 1947
Watercolour and carbon pencil on wove paper
78.2 x 56.9 cm

Marion Long, Home on Furlough, 1915
Charcoal on paper
28.7 x 18.6 cm

Marion Long, Killed in Action, 1915
Charcoal on paper
27.1 x 18.1 cm

Marion Long, Looking at the War Pictures, 1915
Charcoal on paper
40.8 x 32 cm

Robert Houle, Kanehsatake, 1990–93
Oil on etched steel panels, treated wood, paint, oil
221 x 122 cm

Elizabeth Cann, The Soldier’s Wife, 1941
Oil on canvas
65 x 46.1 cm

Kent Monkman, Miss Chief’s Wet Dream, 2018
Acrylic on canvas
365.7 x 731.5 cm

Barbara Steinman, Of a Place, Solitary Of a Sound, Mute, 1989
Gelatin silver print and etched glass
122 x 101.5 x 1.4 cm each

After John White, The Skirmish at Bloody Point, Frobisher Bay, 1585–93
Watercolour and graphite on paper
38.6 x 26.4 cm

Jeff Wall, Dead Troops Talk (A Vision after an Ambush of a Red Army Patrol, near Moqor, Afghanistan, Winter 1986), 1992
Transparency in light box
228.92 x 416.88 cm

Helmet, Haida, 1700–1898
Wood, copper
35.6 x 44.5 cm

Frederick Alexcee, A Fight Between the Haida and the Tsimshian, c.1896
Oil on cloth
83.8 x 129.5 cm

Nun-da’-wä-o-no’ (Seneca) moccasins, n.d.
Mammal skin, porcupine quill, silkworm silk, glass, cotton, and mammal sinew

A. Benoist after Richard Short, A View of the Church of Notre Dame de la Victoire; Built in Commemoration of the Raising the Siege in 1695, and Destroyed in 1759, 1761
Etching
36.4 x 53 cm

Solomon Williams, Major John Norton (Teyoninhokarawen), c.1804
Oil on paper
47.5 x 31.5 cm

Arthur Hider, Canadians at the Battle of Paardeberg, February 1900, 1901
Coloured printing ink on paper
45.3 x 61.3 cm

J.E.H. MacDonald, Canada and the Call, 1914
Colour lithograph on wove paper
108 x 73.5 cm

J.E.H. MacDonald, Spirits of Christmas – No Man’s Land, 1914
Oil on laminated board
75.6 x 53 cm

Anonymous, Canadiens-Français, Enrolez-Vous! (French Canadians, Enlist!), c.1914–18

Homer Watson, The Ranges (Camp at Sunrise), 1915
Oil on canvas
152 x 181 cm

Robert Tait McKenzie, Captain Guy Drummond, after April 1915
Bronze
94 x 34 x 34 cm

Anonymous, Canadiens suivez l’exemple de Dollard des Ormeaux, 1915–18
Commercial colour print

Arthur Nantel, Christmas Eve in Giessen Camp, 1916
Watercolour on paper
25 x 25.4 cm

Thurstan Topham, Opening of the Somme Bombardment, 1916
Watercolour and graphite on paper on cardboard
9.5 x 28.2 cm

André Biéler, Arras, Ruins, 1917
Ink, pen, and watercolour on paper
17.1 x 21.7 cm

Richard Jack, The Second Battle of Ypres, 22 April to 25 May 1915, 1917
Oil on canvas
371.5 x 589 cm

A.Y. Jackson, Study for Vimy Ridge from Souchez Valley, October 17, 1917
Oil on panel
21.7 x 26.8 cm

Arthur Keelor, For Industrial Expansion, Buy Victory Bonds, c.1917
Ink on paper
92 x 62 cm

Anna Airy, Cookhouse, Witley Camp, 1918
Oil on canvas
303.5 x 365 cm

Anonymous, Victory Bonds Will Help Stop This – Kultur vs. Humanity, 1918
Ink on paper
91.5 x 61 cm

Caroline Armington, No. 8 Canadian General Hospital, 1918
Ink on paper
28.7 x 36.2 cm

H.M. Brock, H & C Graham Ltd., The British Commonwealth in Arms, 1918
Ink on paper
76 x 51 cm

Kenneth Forbes, Canadian Artillery in Action, 1918
Oil on canvas
157.5 x 245.3 cm

A.Y. Jackson, A Copse, Evening, 1918
Oil on canvas
86.9 x 112.2 cm

A.Y. Jackson, Vimy Ridge from Souchez Valley, 1918
Oil on canvas
86.6 x 112.5 cm

Gerald Moira, No. 3 General Hospital near Doullens, 1918
Oil on canvas
3 panels: 304.8 x 167 cm; 304.8 x 435.2 cm; 304.8 x 167.7 cm

Harold James Mowat, Trench Fight, 1918
Conté crayon on paper
50.8 x 38 cm

John Byam Liston Shaw, The Flag, 1918
Oil on canvas
198 x 365.5 cm

Frederick Varley, For What?, 1918
Oil on canvas
147.4 x 180.6 cm

Frederick Varley, Some Day the People Will Return, 1918
Oil on canvas
183.5 x 229.3 cm

Francis Derwent Wood, Canada’s Golgotha, 1918
Bronze
83 x 63.5 x 30 cm

Augustus John, The Canadians Opposite Lens, 1918–60
Charcoal and oil on canvas
3.7 x 12 m

James Kerr-Lawson, The Cloth Hall, Ypres, c.1918
Ink on paper
49 x 61 cm

Laura Knight, Physical Training at Witley Camp, c.1918
Oil on canvas
304.8 x 365.7 cm

Clare Sheridan, Colonel W. A. Bishop, V.C., c.1918
Bronze
68 x 43 x 28 cm

Dorothy Stevens, Munitions – Heavy Shells, c.1918
Ink on paper
39.6 x 48.6 cm

Frances Loring, Noon Hour in a Munitions Plant, c.1918–19
Bronze
88.9 x 186.7 x 15 cm

Maurice Cullen, Huy on the Meuse on the Road to the Rhine, 1919
Oil on canvas
143 x 178 cm

Henrietta Mabel May, Women Making Shells, 1919
Oil on canvas
182.7 x 214.9 cm

Frederick Varley, The Sunken Road, 1919
Oil on canvas
132.7 x 162.7 cm

Arthur Lismer, Convoy in Bedford Basin, c.1919
Oil on canvas
91 x 260 cm

Charles Sims, Sacrifice, c.1919
Oil on canvas
416 x 409 cm

Frederick Varley, German Prisoners, c.1919
Oil on canvas
127.4 x 183.7 cm

Georges Bertin Scott, Unveiling Vimy Ridge Monument, 1937
Oil on canvas
250 x 179.5 cm

Anonymous, Save Waste Bones – They Make Glue For Aircraft, 1940–41
Ink on paper
38.4 x 25.5 cm

Henry Lamb, Trooper O.G. Govan, 1941
Oil on canvas
61.2 x 51 cm

Eric Aldwinckle, Canada’s New Army Needs Men Like You, c.1941–42
Ink on paper
91.3 x 60.9 cm

Henry Lamb, Trooper Lloyd George Moore, RCA, 1942
Oil on canvas
76.2 x 63.5 cm

Carl Schaefer, Crankshaft for Corvette, Marine Engine, 1942
Ink on wove paper
40.8 x 56.1 cm

Robert Sivell, Portrait of Mrs. Marion Patterson, G.M., c.1942
Oil on canvas
91 x 70.5 cm

Harry “Mayo” Mayerovitch, I was a Victim of Careless Talk, 1943
Ink on paper
62 x 46.5 cm

Hubert Rogers, Attack on All Fronts, 1943
Ink on paper
91.5 x 61 cm

Carl Schaefer, Per Ardua Ad Astra, 1943
Watercolour on paper
53.3 x 71.7 cm

Lowrie Warrener, Beat the Promise, 1943
Oil on canvas
51.4 x 71.5 cm

Aba Bayefsky, Dismembering U Uncle, c.1943–45
Lithograph on wove paper
53.5 x 71 cm

Harold Beament, Burial at Sea, 1944
Oil on canvas
60.5 x 76 cm

Alan Collier, Airburst Ranging Observer, 1944
Egg tempera on gessoed Masonite
122.5 x 91.5 cm

Charles Comfort, The Hitler Line, 1944
Oil on canvas
101.6 x 121.7 cm

William Garnet (Bing) Coughlin, I don’t give a damn what the Maple Leaf says you’ll wear your ribbons as laid down in –etc E—Bla –Bla-, 1944
Ink on cardboard
28.8 x 20.3 cm

Orville Fisher, Prisoners of War from the Falaise Pocket, 1944
Watercolour on paper
38.2 x 57 cm

Tom Hodgson, First Flight, 1944
Watercolour and graphite on paper
39.2 x 28.8 cm

Pegi Nicol MacLeod, Morning Parade, 1944
Oil on canvas
76.5 x 91.8 cm

Floyd Rutledge, Fangs of Fire, 1944–45
Oil on metal
84.2 x 76 cm

Molly Lamb Bobak, Boat Drill, Emergency Stations, 1945
Oil on canvas
61 x 71 cm

Molly Lamb Bobak, Inside the Auxiliary Service Canteen at Amersfoort, Holland, 1945
Watercolour, ink and graphite on paper
22.6 x 30.3 cm

Albert Cloutier, Bluenose Squadron Lancaster X for Xotic Angel, 1945
Watercolour, gouache, carbon pencil, ink on paper
25 x 35.4 cm

Orville Fisher, Prisoners of War, the Falaise Pocket, 1945
Oil on canvas
81.5 x 101.3 cm

Charles Goldhamer, Face Burns, Sgt. James F. Gourley, RAF, 536215, 1945
Charcoal and watercolour on paper
46.7 x 42.1 cm

Jack Nichols, Taking Survivors on Board, 1945
Oil on canvas
122 x 102 cm

George Campbell Tinning, R.C.A.[F.] Officer Doing Handicraft Therapy, No. 1 Canadian General Hospital, Taplow, England, 1945
Watercolour on paper
38.5 x 57 cm

Florence Wyle, Charles Fraser Comfort, 1945
Bronze
52 x 52 cm

William Allister, I’m ‘A Comin’ Home!, c.1945
Graphite on paper
18.2 x 23.7 cm

Joe Rosenthal, Untitled, c.1945
Wood
42.5 x 17.1 x 10.8 cm

George Campbell Tinning, In the Vault of the Cemetery, c.1945
Mixed media on fibreboard
89 x 109 cm

Molly Lamb Bobak, Private Roy, 1946
Oil on Masonite
76.4 x 60.8 cm

Miller Brittain, Night Target, Germany, 1946
Oil and tempera on Masonite
76.5 x 61 cm

Alex Colville, Bodies in a Grave, 1946
Oil on canvas
76.3 x 101.6 cm

Alex Colville, Infantry, Near Nijmegen, Holland, 1946
Oil on canvas
101.6 x 121.9 cm

Jack Nichols, Drowning Sailor, 1946
Oil on canvas
76.2 x 61 cm

Paraskeva Clark, Parachute Riggers, 1947
Oil on canvas
101.8 x 81.4 cm

Patrick Cowley-Brown, Parachute Well, 1948
Oil on art board
61 x 45.7 cm

Thomas Anthony Luzny, Humanity in the Beginning of the Atomic Era, 1953
Oil on canvas
159.5 x 550 cm

Robert Hyndman, Married Quarters under Construction at 4 Wing, Baden, 1954
Oil on art board
40.3 x 50.7 cm

Anonymous, Tyne Cot Cemetery (Passchendaele), c.1971 or earlier
Watercolour on card
20.7 x 28.9 cm

Geoffrey Jamieson, Guard Post – Refuelling Stop – Sinai, 1975
Watercolour on paper
27.2 x 18.5 cm

Colin Williams, Canadian A.P.C. Patrol – Old City, Nicosia, 1974, 1975
Oil on art board
76.2 x 101.6 cm

Edward Zuber, Freeze, 1978
Alkyd on canvas
46 x 61 cm

Dora De Pédery-Hunt, Pearson Peace Medal (awarded to Lt. General E.L.M. Burns), 1981
Silver
10.7 x 0.6 cm

Geoff Butler, Happy Days Are Here Again, 1983
Alkyd on fibreboard
61 x 122 cm

Attilio Francella, Seaman with Fenders, 1985
Watercolour on paper
38 x 29 cm

Don Connolly, Over the Back Forty, 1987
Acrylic on art board
66 x 66 cm

Aba Bayefsky, Remembering the Holocaust, 1988
Oil on canvas
167.7 x 121.7 cm

Réal Gauthier, Paphos Gate, C-73 Observation Post, Cyprus, 1990
Acrylic on canvas
56.2 x 76 cm

Edward Zuber, Long Day at Doha, 1991
Acrylic on canvas
61 x 81 cm

Allan Harding MacKay, Error, 1993
Mixed media collage on paper
28.5 x 35.7 cm

William MacDonnell, The Wall, 1995
Acrylic on canvas
162.7 x 264.3 cm

Bev Tosh, One Way Passage, 2001
Oil on canvas
223.5 x 168 cm

Gertrude Kearns, Injured: PTSD, 2002
Acrylic on canvas
191 x 145 cm

Johnnene Maddison, Delphine James Pegouske Themean, 2002
Mixed media on fibre
111 x 74 cm

Allan Harding MacKay, Afghanistan #132A, 2002–7
Mixed media, ink, wax and charcoal on paper
41.9 x 54.5 cm

Gertrude Kearns, What They Gave, 2006
Ink, acrylic, and coloured crayon on 4-ply board
3 panels, each 152 x 102 cm

Norman Takeuchi, Tashme, 2006
Acrylic, conté crayon, photo transfer on shaped paper
148 x 132 cm

Elaine Goble, David’s Goodbye, 2008
Graphite on paper, photographs
2 panels: 119 x 110 cm total

Karen Bailey, Il y a la guerre, mais il y a aussi la vie, 2009
Acrylic on canvas
51 x 25.5 cm

Tim Pitsiulak, Rangers, 2010
Coloured pencil on rag paper
115.5 x 110.7 cm

Bruce Stewart, Sergeant Nielson’s Leg, 2011
Oil on canvas
106.8 x 58.2 cm

Mary Kavanagh, The Expulsion (in white), 2013
Ink-jet print on BFK Rives archival paper
61 x 168 cm

Maskull Lasserre, Safe, 2013
Mixed media, steel, paint
146.5 x 101.2 x 97 cm

Scott Waters, Ready State, 2013
Oil on gessoed paper panel
90.8 x 121.1 cm

Anonymous, Summer in England, n.d.
Ink on paper
20.2 x 12.7 cm

Franklin Arbuckle, Invest and Protect. Help Finish the Job, n.d.
Ink on paper
91 x 61 cm

Fritz Brandtner, This Is Our Strength – Agriculture, n.d.
Ink on paper
91 x 60.2 cm

Frederick Challener, Canada’s Grand Armada Leaving Gaspé Bay, n.d.
Ink on paper on art board
33.9 x 81.2 cm

Charles Comfort, Design for the Canadian Volunteer Service Medal, n.d.
Graphite on paper
18.9 x 25 cm

Charles Comfort, Design for the Canadian Volunteer Service Medal, n.d.
Graphite on paper
14.5 x 14 cm

Commemorative plate, n.d.
Porcelain
22 cm (diameter)

Edward Whipple Bancroft Morrison, Bergendal Kopje, n.d.
Carbon ink, iron gall ink, pencil, and gouache on paper
14.1 x 22.8 cm

Marc-Bernard Philippe, Peacekeepers, n.d.
Acrylic on canvas
76.5 x 101.5 cm

Clarence Charles Shragge, Shoulder to Shoulder Canadian Women’s Army Corps, n.d.
Ink on cardboard
35.5 x 25.5 cm

Standing Bear (attributed to), Tipi, c.1880
Paint and canvas on wood frame

Eskimarwotome (Ambrose Two Chiefs), The “Great War” Deeds of Miistatosomitai (Mike Mountain Horse) (1888–1964), n.d.
Hide, paint
122 x 108 x 4.5 cm

Louis Nicolas, Portrait of a Famous One-eyed Man (Portrait d’un Illustre borgne), n.d.
Ink on paper
33.7 x 21.6 cm

Harry Franklin Ritz, Matchbox Cover, c.1918
Aluminum
6.4 x 4.1 x 2.3 cm

John Collins, How Do We Put the Genie Back in the Bottle?, c.1945
Ink, crayon, and graphite on cardboard
35.6 x 29 cm

Jamelie Hassan, Because … there was and there wasn’t a city of Baghdad, 1991
Billboard
285 x 650 cm

Club, before 1778
Wood with stone blade, sea otter teeth and human hair
31 x 26.5 x 11 cm

Thomas Davies, A View of Fort La Galette, Indian Castle, and Taking a French Ship of War on the River St. Lawrence, by Four Boats of One Gun Each of the Royal Artillery Commanded by Captain Streachy, 1760
Watercolour over graphite on laid paper
38.3 x 58.9 cm

Benjamin West, The Death of General Wolfe, 1770
Oil on canvas
152.6 x 214.5 cm

William Berczy, Thayendanegea (Joseph Brant), c.1807
Oil on canvas
61.8 x 46.1 cm

William Henry Bartlett, The Rideau Canal, Bytown, 1841
Steel engraving on chine collé
22.8 x 29.2 cm

Paul Kane, Big Snake, Chief of the Blackfoot Indians, Recounting His War Exploits to Five Subordinate Chiefs, c.1851–56
Oil on canvas
64 x 76.4 cm

Alfred Laliberté, Allegory of War, c.1912–17
Plaster with paint
47.1 x 50.6 x 14.8 cm

Emanuel Hahn, War the Despoiler, 1915
Painted plaster
21 x 83 x 38.5 cm

Frances Loring, Grief, 1918, cast 1965
Bronze
51 x 50 x 26.5 cm

Henri Hébert, 1914, c.1918
Bronze
35.8 x 24.3 x 40.7 cm

A.Y. Jackson, The Convoy, 1919
Oil on canvas
61.4 x 92.5 cm

Robert Tait McKenzie, Wounded, 1921
Bronze
13.9 x 8.8 x 10.2 cm

Walter S. Allward, initial model for Canada “Bereft”, c.1921
Plaster
45.5 x 28.5 x 13.5 cm

Yousuf Karsh, Winston Churchill, 1941
Gelatin silver print
50.2 x 40.7 cm

Paraskeva Clark, Self-Portrait with Concert Program, 1942
Oil with paper (concert program) on canvas
76.6 x 69.8 cm

Leonard Brooks, Halifax Harbour (North and Barrington Streets), c.1944
Ink on paper
54.3 x 72.5 cm

Gershon Iskowitz, Condemned, c.1944–46
Pen and black ink and watercolour on cream wove paper
71.3 x 54.4 cm

Paraskeva Clark, A Caledon Farm in May, 1945
Silkscreen on paper
76.2 x 101.6 cm

Joyce Wieland, Rat Life and Diet in North America, 1968
16mm film, colour, sound, 14 min

Greg Curnoe, Homage to the R 34 [the Dorval mural], 1967–68
Bostik urethane enamel paint on plywood and steel, propellers, metal screens, and electric motors
26 panels of irregular dimensions installed in three units: 295 x 1551 x 25.5 cm; 195 x 1109.9 x 25.5 cm; 191.5 x 492.7 x 2.5 cm (overall length 32.2 m)

Daphne Odjig, Genocide No. 1, 1971
Acrylic on board
61 x 76 cm

John Scott, Second Strike, 1981
Oil stick, graphite, and Varsol on paper
244 x 244 cm

Walter S. Allward, plaster model of The Sympathy of the Canadians for the Helpless for the Vimy Memorial, n.d.

Violet Gillett, Freedom from Want, 1944
Painted plaster
38 x 39.7 x 27.5 cm

Miller Brittain, The Place of Healing in the Transformation from War to Peace, 1949–54
Tempera on Masonite
3 panels: 156 x 729 cm (total)

Shanawdithit (Nancy April), Sketch II: The Taking of Mary March (Demasduit) on the North Side of the Lake, 1829
Graphite and ink on paper
28 x 43 cm

Smoking pipe (calumet), Haudenosaunee (Iroquois), 1600–50
Stone
7.5 x 8 cm

Turtle calumet, Haudenosaunee, 1600–50
Stone
13 x 8.5 cm

War Exploit Robe, probably Niitsitapi (Blackfoot), c.1830–50
Probably dressed elk skin, painted with hematite, goethite, and green earth pigments
212.5 x 196 cm

Anonymous, Ball-headed Club, mid-1800s
Wood
38 x 11 x 10 cm

Cornelius Krieghoff, An Officer’s Room in Montreal, 1846
Oil on canvas
44.5 x 63.5 cm

Paul Kane, The Death of Omoxesisixany (Big Snake), 1849–56
Oil on canvas
50.5 x 63.2 cm

Paul Kane, Keeakeekasaakawow (“The man that gives the war whoop, Head Chief of the Crees”), 1849–56
Oil on canvas
75.9 x 63.4 cm

Hamilton MacCarthy, Portrait Bust of Techkumthai (Tecumseh), 1896
Terracotta
39.4 x 24.5 x 18.8 cm

Mesaquab (Jonathan Yorke), Box with Quilled Battle Scene, 1904
Birchbark, porcupine quills, and sweetgrass
9.4 x 25.5 x 17 cm

A.Y. Jackson, The Entrance to Halifax Harbour, 1919
Oil on canvas
65 x 80.5 cm

Rebecca Belmore, Ayum-ee-aawach-Oomama-mowan: Speaking to Their Mother, 1991
Sound installation with wood and megaphone
182.9 x 213.4 cm