Curated by Johanne Sloan

Joyce Wieland (1930–1998) created powerful art that was politically engaged with issues of war, gender, ecology, and nationalism, while also maintaining a humorous sensibility. Highly original in her approach, Wieland utilized a wide range of materials, media, and subject matter in her work to generate new forms of meaning and aesthetic impact. She was a pivotal figure in Canadian art during the 1960s and 1970s, and her art continues to be influential. For more on Joyce Wieland read Johanne Sloan’s Joyce Wieland: Life & Work.


Johanne Sloan is a Professor of Art History at Concordia University in Montreal. She has written extensively about Joyce Wieland, the visual culture of Expo ’67, and landscape art and aesthetics. She is the principal investigator for the collaborative research project Networked Art Histories: Assembling Contemporary Art in Canada.

  • Heart On

    Heart On 1962

  • The Battery

    The Battery 1963

  • First Integrated Film with a Short on Sailing

    First Integrated Film with a Short on Sailing 1963

  • Stuffed Movie

    Stuffed Movie 1966

  • Reason over Passion

    Reason over Passion 1968

  • Rat Life and Diet in North America

    Rat Life and Diet in North America 1968

  • O Canada

    O Canada 1970

  • True Patriot Love

    True Patriot Love 1971

  • The Far Shore

    The Far Shore 1976

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