S.L. Simpson Gallery
A West End Toronto gallery owned and operated by Sandra L. Simpson from 1980 to 1998. It habitually showed the work of many of the most significant contemporary Canadian artists of the late twentieth century, including Douglas Walker, Joanne Tod, and Garry Neil Kennedy.
In the context of twentieth-century ethnography, travel literature, and anthropology, the salvage paradigm is an ideological position whereby a dominant Western society assumes the inevitability of a non-Western culture’s demise, owing to its perceived inability to adapt to modern life. The conclusion is that the non-Western culture can be “saved” only by the collection, documentation, and preservation of artifacts and accounts of its presence.
A Toronto-based printing and design firm, Sampson-Matthews Ltd. (founded in 1917) worked in partnership with the National Gallery of Canada to establish the wartime art project. Between 1942 and 1945, thirty-six high-quality silkscreen images of Canadian subjects by Canadian artists were distributed to Canadian military bases at home and abroad to boost the morale of Canadian troops. The project continued until 1955, and approximately one hundred different prints were distributed to schools across Canada and sold individually. The series is credited with creating a national awareness of Canadian art.
Sanchez, Joseph (Pueblo/American, b. 1948)
A founding member of the Professional Native Indian Artists Inc. and the only non-Canadian artist of the group, Sanchez takes nature and spirituality as a primary concern in his paintings. After spending several years in Canada, he returned to the United States in the mid-1970s, helping to form various artists’ groups.
Sandham, Henry (Canadian, 1842–1910)
A landscape painter, photographer, and draftsman who apprenticed with William Notman in Montreal and later lived in Boston and London, where he enjoyed a successful career as an illustrator. Sandham’s Montreal Snow Shoe Club, a composite photograph completed with Notman, won a silver medal at the world’s fair in Paris in 1878.
Sartre, Jean-Paul (French, 1905–1980)
A central figure in the development and spread of existentialism, a philosophy of existence that attempts to chart what it means to be human. His book Being and Nothingness (1943) is considered his masterpiece. Existentialist thinkers in his circle included Simone de Beauvoir, his long-time lover.
Savage, Anne (Canadian, 1896–1971)
A painter and educator. Savage’s early work is characterized by rhythmic portrayals of Canadian landscapes, though her later paintings were abstract. She founded arts education organizations and was an original member of the Beaver Hall Group and the Canadian Group of Painters.
Schaefer, Carl (Canadian, 1903–1995)
A painter who studied under Arthur Lismer and J.E.H. MacDonald at the Ontario College of Art, where he later taught for over twenty years. Schaefer’s preferred subjects were the rural landscapes of his Ontario home. He served as a war artist, attached to the Royal Canadian Air Force, during the Second World War.
School of Paris
A term denoting the loosely affiliated international and French artists who, from about 1900 to 1940, lived and worked in Paris, when it was a world capital of galvanizing, experimental art. Leading figures of the School of Paris include Pablo Picasso, Henri Matisse, Marc Chagall, and Amedeo Modigliani.
Schwitters, Kurt (German, 1887–1948)
An avant-garde artist who created collages, paintings, and poetry, calling all of these activities by his invented term “Merz.” He was influenced by De Stijl and Dada, and participated in some of the most notable abstract art exhibitions of the first half of the twentieth century. Fleeing persecution by the Nazi regime, Schwitters eventually settled in England.
Term refers to the medium and an illustration technique. Scratchboard is a white clay surface coated in black ink. An image is created by using sharp blades and scraping implements to scratch patterns in the clay, revealing the white underneath the surface.
To scumble is to modify the colour or tone of a painted area by applying over it an opaque or semi-opaque colour, usually with a fairly dry brush, so thinly and lightly that the base colour partially shows through.
A name for what is now typically described as “screen printing.” It was advanced in 1940 by a group of American artists working in the silkscreen process who wished to distinguish their work from commercial prints made by the same method.
Seurat, Georges (French, 1859–1891)
An influential painter, Seurat was a pioneer of the Neo-Impressionist movement, departing from Impressionism’s relative spontaneity and practising more formal structure and symbolic content. Along with Paul Signac, he developed Pointillism, a technique adopted by other painters such as Camille Pissarro, Piet Mondrian, and Wassily Kandinsky.
Sevier, Gerry (Canadian, b. 1934)
A commercial artist, illustrator, and instructor, Gerry Sevier uses light and shadow in his work to powerful effect. He is a member of the Royal Canadian Academy and has works in more than 150 corporate collections.
One of the four essential modes used by Renaissance painters (the others were cangiante, chiaroscuro, and unione). The word is from Italian sfumare, to vanish or fade away like smoke. In painting it refers to softened images that shade imperceptibly between shadow and light, from one form to another, without sharp outlines. The face of Leonardo’s Mona Lisa is an example of sfumato.
Shadbolt, Jack (Canadian, 1909–1998)
Primarily known as a painter and draftsman, Shadbolt studied art in London, Paris, and New York before returning to British Columbia. He taught at the Vancouver School of Art from 1945 to 1966, becoming the head of the school’s painting and drawing section. Major influences include Emily Carr and Aboriginal art of the Pacific Northwest.
Shahn, Ben (Lithuanian/American, 1898–1969)
An influential painter, lithographer, and photographer whose artworks and career reflect a lifelong commitment to social justice. The paintings Shahn made before 1945, such as the portraits that refer to the Dreyfus Affair, were specific and highly detailed, while his later work was more inventive and addressed more general themes.
Religion that centres around a shaman, practised in various forms by Indigenous peoples worldwide. Shamans are commonly believed to have special powers, including the ability to heal individuals and communities and escort souls of the dead to the spirit world.
Shchukin, Sergei (Russian, 1854–1936)
A major art patron and collector, whose collection was particularly rich in work by Impressionist and Post-Impressionists artists, Henri Matisse, and Pablo Picasso. It was appropriated by the Russian government following the 1917 revolution, and is now largely divided between the Pushkin and Hermitage museums in Moscow and Saint Petersburg respectively.
Shukhaev, Vasili (Russian, 1887–1973)
A painter, draftsman, stage designer, and illustrator, who developed a neo-classical style influenced by the art of Italian Renaissance, which he first saw on a trip to Italy in 1912. In 1920, he emigrated from Russia to Finland, then to France. After returning to the Soviet Union in the mid-1930s, he was arrested, imprisoned, and exiled, from 1947 spending most of the remainder of his years in Georgia.
Signac, Paul (French, 1863–1935)
A Post-Impressionist painter who, with Georges Seurat, developed Pointillism—a painstaking method of painting that drew from colour theory—and created detailed figurative images through the application of small dots of colour. In 1884 he and Seurat were among the founders of the Société des artistes indépendants, which held annual exhibitions of advanced art for thirty years.
Siqueiros, David Alfaro (Mexican, 1896–1974)
A social-realist painter and a member of the Mexican muralists group, which included Diego Rivera and José Clemente Orozco. He completed numerous murals for the Mexican government that celebrated the nation’s people and its history. A member of the Mexican Communist Party, Siqueiros was involved in an unsuccessful attempt on the life of Leon Trotsky in 1940.
Sloan, John (American, 1871–1951)
Associated with Robert Henri and the Ashcan School, John Sloan was a prominent American painter, printmaker, and draftsman in the early twentieth century, known for his unsentimental portrayal of lower-class neighbourhoods and people. After the Armory Show in 1913, he became increasingly interested in formal issues and developed a technique known as hatching.
Smith, Jack (American, 1932–1989)
An important figure in the New York underground cinema scene of the 1950s and 1960s, despite gaining little recognition during his life. Smith was inspired by B movies and interested in exaggerated performance, and while his films are campy and sexually provocative they are also poignant commentaries on sincerity and theatricality.
Smith, Jori (Canadian, 1907–2005)
A figurative painter and draftswoman trained at the École des beaux-arts in Montreal, and a leading figure in that city’s vibrant 1930s art scene. An admirer of Pierre Bonnard, she concentrated on portraits and interiors. She was made a member of the Order of Canada in 2002. Jori Smith married fellow artist Jean Palardy in the early 1930s.
Smith, Richard (British, b. 1931)
A painter and teacher whose work typically explores the communicative potential and functions of basic geometric forms. It combines elements of both Pop art and Minimalism, styles that Smith first encountered and experimented with when he moved to New York City from London in 1959.
In North American Indigenous traditions, the smudging ceremony is one of purification. It commonly involves the use of smoke of sage, sweetgrass, cedar, or other herbs to cleanse the body, mind, and spirit of negative emotions.
Snow, Michael (Canadian, b. 1928)
An artist whose paintings, films, photographs, sculptures, installations, and musical performances have kept him in the spotlight for over sixty years. Snow’s Walking Woman series of the 1960s holds a prominent place in Canadian art history. His contributions to visual art, experimental film, and music have been recognized internationally. (See Michael Snow: Life & Work by Martha Langford.)
One of the first forms of Inuit art available in the South, these were traditional Inuit carvings. Soapstone is a soft stone made mostly of talc, though objects often thought of as soapstone carvings may also be made of serpentine or pyrophyllite.
An art movement, left-wing in politics and figurative in style, that emerged in the United States in the 1930s. The artists’ subject was the American scene, and their paintings illustrated working-class hardships during the Great Depression, showing street scenes and men and women at work. Notable members were Ben Shahn, William Gropper, and Jack Levine.
An organization initiated in New York in 1920 by Katherine Dreier, Marcel Duchamp, and Man Ray to promote the appreciation and practice of modern art in the United States. It organized exhibitions, lectures, public programs, and publications and collected actively. The collection is now held at Yale University. Lawren Harris was instrumental in arranging for the Société’s International Exhibition of Modern Art to be mounted at the Art Gallery of Toronto (now the Art Gallery of Ontario) in 1927, creating enormous controversy.
Society of Canadian Artists
Established in Montreal in 1867, this society lasted only until 1873. Significant figures lending their support or participation included Cornelius Krieghoff; John A. Fraser, a partner in William Notman’s photographic business; the portraitist John Bell-Smith; and Allan Edson, a landscape painter from the Eastern Townships. The society’s last exhibition was in 1872.
Sonderborg, K.R.H. (German, 1923–2008)
An important figure in the Art Informel movement in Germany, whose work became increasingly abstract in the 1950s. Sonderborg’s paintings and drawings frequently incorporate calligraphic forms and have been associated intellectually with the work of Paul Klee and Wassily Kandinsky.
Sontag, Susan (American, 1933–2004)
A New York intellectual and activist who first gained notoriety in the 1960s with her essay “Notes on Camp,” Sontag was a theatre artist, wrote and directed films, and wrote short stories, novels, and critical essays that challenged traditional notions of art interpretation and consumption. Her stories and critical essays were published widely, including in the The New Yorker, The New York Times, Granta, The Times Literary Supplement, and Art in America.
Soper, J. Dewey (Canadian, 1893–1982)
A naturalist and explorer dispatched on several research missions to Baffin Island by the Geological Survey of Canada during the 1920s. In 1926 he journeyed from his headquarters at Pangnirtung to Cape Dorset, returning with a number of unattributed figurative ivory carvings that are now in the collection of the Canadian Museum of History, in Gatineau, Quebec.
Soto, Jesús Rafael (Venezuelan, 1923–2005)
A painter and sculptor born in Caracas, Soto directed Maracaibo’s art college before moving to Paris in 1950. His highly inventive monumental works create optical sensations through movement by their component parts, or by the spectator. They have been commissioned for cities throughout Venezuela, Europe, and North America and include Suspended Virtual Volume, 1978, installed in Toronto’s Royal Bank Plaza.
Spalding, Jeffrey (Canadian, b. 1951)
An artist, curator, educator, and museum director. Spalding is an important figure in contemporary Canadian art, whose multimedia artistic practice and broad activities within the national art scene influenced the direction and reception of conceptual art, video art, and painting. He received the Order of Canada in 2007.
Spencer, Stanley (British, 1891–1959)
A painter of expressive portraits and multi-figure scenes. His complex compositions often evoke his Christian faith in a style reminiscent of both Neo-Raphaelitism and Cubism. Spencer lived most of his life in the English village of Cookham; his reputation soared following a posthumous retrospective at the Royal Academy in 1980.
In the Eckankar religion, spiritual light refers to one of the primary channels through which practitioners may come to know God within themselves. The other channel is sound.
Spoerri, Daniel (Swiss, b. 1930)
An artist and entrepreneur born in Romania, Spoerri was a founder of Nouveau réalisme in 1960. His performance art was informed by his professional background in ballet, mime, theatre direction, and set design, and his found-object sculpture by the techniques of earlier Dada artists.
Between 1880 and 1965, Spring Exhibitions were held every year by the Art Association of Montreal (today the Montreal Museum of the Fine Arts). The exhibitions presented the latest trends in Quebec and Canadian art. The Salon and the prizes awarded became a very important showcase for young artists.
Stanley, John Mix (American, 1814–1872)
An itinerant artist and photographer known for his landscape paintings. Stanley began to paint Native Americans while working in Wisconsin and Illinois; he later joined numerous expeditions to the American West, making sketches and daguerreotypes of indigenous peoples and scenery for the country’s military.
Stein, Gertrude (American, 1874–1946)
An important figure in literary modernism, through landmark works of fiction, poetry, and drama. She was also known for her early support of modernist artists, including Juan Gris and Pablo Picasso. Born in Pennsylvania, Stein lived in Paris her entire adult life, with her partner, Alice B. Toklas.
Steiner, Rudolf (Austrian, 1861–1925)
An architect and the founder of Anthroposophy—a universalist approach to spirituality based on German idealist philosophy and Goethe’s ideas of perception and the mind. Steiner’s influence as a philosopher and social reformer reached artists and writers, including Saul Bellow, Joseph Beuys, and Wassily Kandinsky. His designs for the Anthroposophical Society are considered important examples of modern architecture.
Stella, Frank (American, b. 1936)
An Abstract Expressionist painter and sculptor and a major figure in American art. Stella often works in series, developing a formal theme over an extended period. Primarily a painter and printmaker, he began taking on decorative commissions in the 1990s; the Princess of Wales theatre in Toronto features decorations and vast murals by Stella.
stereograph; stereoscopic photographs
A photographic form that was phenomenally popular from the mid-1850s into the twentieth century. A stereograph consists of two nearly identical photographs, typically mounted side by side on cardstock, which when viewed through a stereoscope blend into each other to create a three-dimensional effect.
Still, Clyfford (American, 1904–1980)
A painter associated with Abstract Expressionism. Still spent part of his childhood on an Alberta farm, and prairie landscapes figure prominently in his early work. The natural environment continued to be a marked influence until the mid-1940s, when he moved to New York and his paintings became increasingly abstract.
A variation on the woodcut, which uses stone rather than a block of wood to create a relief print. Stonecut printmaking originated with Inuit artists and remains largely unique to Canada’s north.
A term coined by the American film historian P. Adams Sitney in the late 1960s to describe films that privilege form over narrative, with the audience asked to consider a work’s construction rather than its plot—a new trend in avant-garde cinema at the time.
A school of thought that originated in Europe in the 1900s, which holds that all aspects of human experience and culture can be apprehended only through their interrelationships. Artworks therefore do not express essential truths but are rendered meaningful through the mental processes of their viewers.
Stuart, James Everett (American, 1852–1941)
A landscape painter drawn mainly to the scenery of the western United States, particularly the mountains of California and the area’s Native American communities. Stuart’s career began in 1881 following his artistic training in San Francisco.
A complex and important idea in the history of aesthetics, sparked in late seventeenth-century Europe by the translation of the ancient Greek text On the Sublime (attributed to Longinus) and furthered by the eighteenth-century philosopher Edmund Burke and many others. In painting, the sublime is often expressed in scenes of exalted or mysterious grandeur—terrifying storms at sea, wild skies, steep mountains—natural phenomena that both threaten the observer and inspire awe.
Sullivan, Françoise (Canadian, b. 1925)
Born in Montreal, Sullivan—an artist, sculptor, dancer, and choreographer—studied at the city’s École des beaux-arts in the early 1940s, where she met Paul-Émile Borduas. His vision of automatism would become a great influence on her modern dance performances and choreography.
A movement developed about 1915 by the Russian artist and writer Kazimir Malevich, who proclaimed it finished before 1920. Characterized by radical austerity of form and geometric abstraction, Suprematism had a powerful influence on European and American art and design of the twentieth century.
An early twentieth-century literary and artistic movement that began in Paris. Surrealism aimed to express the workings of the unconscious, free of convention and reason, and was characterized by fantastic images and incongruous juxtapositions. The movement spread globally, influencing film, theatre, and music.
Sutherland, Graham (British, 1903–1980)
A painter, printmaker, and designer interested primarily in landscapes and natural motifs, which he represented in a non-traditional, almost Surrealist style. His Crucifixion and Thorn Head images gained wide currency as expressions of the human condition in the aftermath of the Second World War.
Suzor-Coté, Marc-Aurèle de Foy (Canadian, 1869–1937)
A remarkably versatile artist, Suzor-Coté was a successful sculptor, painter, illustrator, and church decorator. In 1890 he left rural Quebec to study art in Paris and remained there for eighteen years, painting rural landscapes in an Impressionist style.
A three-month exhibition of contemporary art held biannually in Sydney, Australia. It was founded in 1973 as an international showcase of the world’s most cutting-edge art, and today is one of the most prominent festivals of its kind, along with the Venice Biennale, the São Paulo Art Biennial, and Documenta.
A literary movement that spread to the visual arts in the late nineteenth century. It encompasses work that rejects the representation of “real” space and incorporates spiritualist and revelatory aims—its artists sought to uncover the ideal world hidden within the knowable one. Important Symbolist painters include Paul Gauguin and the Nabis.
A movement in abstract art concerned with the use of colour, founded in 1912 in Paris by expatriate American artists Stanton Macdonald-Wright and Morgan Russell. Like Orphism, its European counterpart, championed by Robert and Sonia Delaunay, Synchromism was short-lived but influential (notably on the American painter Thomas Hart Benton), ending with the First World War.
A neurological condition in which sensory input, such as vision, is simultaneously experienced through one or more additional sense. Synesthesia also occurs when cognition of an abstract concept, such as letters or numbers, triggers a sensory perception, such as of hearing or taste.
Szyk, Arthur (Polish/American, 1894–1951)
An illustrator and cartoonist who championed human rights and civil liberties through artistic media. During the Second World War, Szyk’s caricatures, which appeared in newspapers across the United States, effectively highlighted the Jewish plight in Europe. His work was also featured in such publications as the New York Post, Time magazine, and Collier’s.