Where to See

Jennifer Dickson, THE EARTHLY PARADISE: Homage to Claude Lorraine, 1980
Mezzotint and watercolour on paper
56.5 x 76.5 cm
© Jennifer Dickson / CARCC Ottawa 2023

Barbara Astman, Untitled (Visual Narrative Series), 1978–79
SX-70 Ektacolor mural
121.9 x 152.4 cm

Jamelie Hassan, Meeting Nasser, 1985
Five black and white photographs mounted on Masonite, three VCR videotapes and two laminated sheets
Dimensions variable

Page 13 of the Peterkin Family (Theresa Bywater Peterkin) Album, mid- to late nineteenth century
Two cartes-de-visite, albumen prints
Mount: 10.5 x 6.3 cm

Lady Annie Brassey, [View from Lady Brassey’s window in Quebec City], 1872–73
Albumen print
Book: 20.8 x 17 cm; image: 7.1 x 7.1 cm

Tramp Art Photo Display, c.1885, maker unknown
Cartes-de-visite: albumen prints (eleven), tintypes (five), wood, glass, and paper crown of thorn design with paint applied to rotating base and carved leaf and vine details

J.A. Spencer, page 8 of Airships, Rigid and Non-Rigid, Howden, 1916–19
Album: Gelatin silver print

John Vanderpant, No.2, Towers in White, c.1934
Gelatin silver print
27 x 34.4 cm

Eugene Haanel Cassidy, Plant Form Leaves with Circular Protrusion, 1938
Chloro bromide print
39.9 x 50.9 cm

Michel Lambeth, Royal Ontario Museum, Toronto, 1957
Gelatin silver print
33.7 x 25.6 cm

Tess Boudreau, Rita Letendre, early 1960s
Gelatin silver print
23.7 x 34.8 cm

Michael Snow, Four to Five, 1962
Sixteen gelatin silver prints mounted on cardboard, framed
68 x 83 cm

Susanna and three friends outside, 1964–69, attributed to Andrea Susan
Chromogenic print
8.9 x 10.8 cm

Arnold Newman, Henry Moore (collage), Much Hadham, England, 1966–72
Collage: gelatin silver prints
Sheet: 26.2 x 33.2 cm

Michael Snow, Atlantic, 1967
Thirty gelatin silver prints, metal, wood, Arborite
171.1 x 245.1 x 39.9 cm

N.E. Thing Co., Reflected Landscape, 1968
Hand-tinted silver print, watercolour and graphite on paper, printed map, photographic transparency, and wood light box
54.3 x 64.3 x 21.5 cm

Ian Wallace, Street Reflections (detail), 1970–91
Gelatin silver print
40.1 x 60.1 cm

Pamela Harris, Niloulaq and Willie in the darkroom, 1973
Gelatin silver print
20.3 x 25.4 cm

Suzy Lake, Are You Talking to Me? #3, 1979
Five gelatin silver fibre-based prints with applied colour and two chromogenic prints
Installed dimensions variable

June Clark, Formative Triptych (detail), 1989
Three duratrans transparencies in lightboxes
111.5 x 152.2 cm
Photo of Bessie Smith © Carl Van Vechten Trust

Angela Grauerholz, Harrison, 1989
Cibachrome print
124.4 x 167.6 cm

Yousuf Karsh, Theophile St. Pierre, Acetylene Cutting Torch Welder Burning Tractor Axles, Foundry, 1951
Gelatin silver print
45.7 x 35.6 cm

Jimmy Manning, Gathering/Spring Fishing (detail), 1999
Colour photograph
76 x 114 cm

Collecting Ground for Dinosaur Remains in the Badlands of Southern Alberta, early twentieth century, photographer unknown
Hand-tinted glass lantern slide

Frederick Wilkerson Waugh, Simon Bumberry with fishing equipment, halfway between Six Nations Indian Reserve, Ontario and Tuscarora Indian Reserve, New York, 1912
Black and white negative
10.16 x 12.7 cm

Charles Marius Barbeau, Ferdinand Roy’s sisters baking bread in the oven, Pointe-à-la-Frégate, Québec, 1938
Black and white negative
8.3 x 14 cm

Peter Pitseolak, Aggeok Pitseolak, Ashevak, Johnniebo and an Inuit woman dragging a dead seal, c.1940–60
Black and white negative
6.4 x 8.9 cm

Peter Pitseolak, Aggeok Pitseolak wearing a beaded amauti, c.1940–60
Black and white negative
5.7 x 8.9 cm

Peter Pitseolak, Ashevak Ezekiel and Kooyoo Pitseolak leaving on the dog sled, c.1940–60
Black and white negative
6.4 x 8.9 cm

Peter Pitseolak, Distant view of Cape Dorset, c.1942–43
Black and white negative
6.4 x 8.9 cm

Aggeok Pitseolak, Peter Pitseolak with his favourite 122 camera, c.1946–47
Black and white negative
11.4 x 6.4 cm

Lens Sector—Front taken over by Canadian Corps, October 1916, photographer unknown
Gelatin silver prints
54 x 88 cm

Minna Keene, Our Malay Washerwoman, 1903–13
Silver gelatin print

Minna Keene, Evergreens and Mountains, CPR, 1914–15
Gelatin silver print

Minna Keene, Lake surrounded by mountains, 1914–15
Carbon print

Violet Keene Perinchief, African Appeal, Phyllis Marshall, c.1935
Gelatin silver print with hand retouching

Violet Keene Perinchief, Diana Boone, Toronto Society, c.1940
Gelatin silver print

Greg Staats, Skarù:ręˀ [Tuscarora] / Kanien’kehá:ka [Mohawk] Hodinöhsö:ni’, Six Nations of the Grand River Territory, Ontario,
Mary [Anderson Monture], 1982
Toned silver print
37 x 37 cm

Murray McKenzie, Daniel Spence, Lonesome Trapper, age 102, 1984
Black and white photograph
Image: 36.5 x 28.5 cm

Shelley Niro, Sisters, 1987

Black and white photograph
25.5 x 17.5 cm

Humphrey Lloyd Hime, Freighter’s Boat on the banks of the Red River, MB, 1858
Silver salts on paper mounted on paper, albumen process
13.7 x 17.1 cm

Humphrey Lloyd Hime, Red River, from St. Andrew’s Church, MB, 1858
Silver salts on paper mounted on paper
13.6 x 17.2 cm

William Notman, Framework of tube and staging no. 8, Victoria Bridge, Montreal, QC, 1859
Silver salts on paper mounted on paper
22 x 29 cm

William Notman, Canada East, portfolio from the maple box, 1859–60
Silk, board, leather, and German silver
76.2 x 91.4 x 5.1 cm

Jules-Isaïe Benoît Livernois, Monument to the Brave, Quebec City, c.1860
Silver salts on paper mounted on paper, albumen process
25.7 x 23.4 cm

William Notman, Lt. Col. and Mrs. Ferguson, Montreal, 1863
Silver salts on paper mounted on paper
8.5 x 5.6 cm

William Notman, Around the Camp Fire, Caribou Hunting series, Montreal, 1866
Silver salts on glass, wet collodion process
20 x 25 cm

William Notman, Master Bryce Allan, Montreal, QC, 1866
Silver salts, watercolour on card, albumen process
55 x 45 cm

William Notman, Notman & Fraser Photographic Studio, Toronto, ON, 1868
Silver salts on paper mounted on paper
17.8 x 12.7 cm

William Notman, Capt. Huyshe as “Cavalier of the time of Charles II,” Montreal, QC, 1870
Silver salts on paper mounted on paper, albumen process
17.8 x 12.7 cm

Benjamin Baltzly, Spuzzum River rapids, BC, 1871
Wet collodion negative
20.3 x 25.4 cm

Notman & Sandham, Notman & Sandham’s Room, Windsor Hotel, Montreal, QC, 1878
Silver salts on paper mounted on paper
10 x 8 cm

William Notman and Son, Sitting Bull and Buffalo Bill, Montreal, QC, 1885
Gelatin silver glass plate negative
17.9 x 11.3 cm

William Notman and Son, The Bounce, Montreal Snowshoe Club, QC, 1886
Composite, silver salts on glass, gelatin dry plate process
25 x 20 cm

William McFarlane Notman, Spence’s bridge looking down Thompson River on the C.P.R., BC, 1887
Gelatin silver glass plate negative
20.1 x 25.6 cm

Annie McDougall, William, Jimmie, Ivan and Bruce Millar at St. Francis River, Drummondville, QC, 1888
Silver salts on glass, gelatin dry plate process
10 x 12 cm

Sally Eliza Wood, Ladies at Tea, Oranges, and Cookies, QC, c.1900
Glass negative
12.7 x 17.8 cm

Edith S. Watson, Rural scene, Île d’Orléans, QC, c.1925
Silver salts and coloured ink on glass, gelatin dry plate process
8.2 x 10.1 cm

Michel Saint-Jean, Boulevard de Maisonneuve, Montréal, 1969
Gelatin silver print
30.5 x 40.5 cm

Clara Gutsche, Janet Symmers, 1972
Gelatin silver bromide print, selenium toned
35.5 x 30 cm
© Clara Gutsche / CARCC Ottawa 2023

Gabor Szilasi, King’s Hall Building, 1231 Sainte-Catherine Street West, Montreal, 1979, printed 2012
Gelatin silver print
27.5 x 35.2 cm

Donigan Cumming, Untitled (August 12, 1983), 1983
From Reality and Motive in Documentary Photography, Parts 1-3, 1982–86
Gelatin silver print
25.7 x 37.8 cm

Angela Grauerholz, Sofa, 1988
Azo dye print
122 x 162.5 cm

N.E. Thing Co., Circular Walk Inside Arctic Circle Around Inuvik, N.W.T., 1969
Gelatin silver print, ink, stamp, paper and foil seal, lithograph on paper
45.5 x 60.9 cm

Christos Dikeakos, Instant Photo Information, BC Almanac, c.1970
Black and white photo print

Piss pic by Michael Morris contribution to Image Bank request mailing, 1972

Roy Arden, Komagata Maru (detail 2), 1985
Eighteen diptych panels with gelatin silver prints, exposed photo paper, white ink
40.7 x 25.4 cm each

Jules-Isaïe Benoît Livernois, Belvidère Lodge, from the illustrated book Maple Leaves: Canadian History and Quebec Scenery, 1865
Albumen silver print
8.9 x 12.3 cm

Eli J. Palmer, R.A.A. Jones, de l’album de collection dit de Richard Alleyn, after 1865
Albumen silver print
9.3 x 5.5 cm

Livernois & Bienvenu (Élise L’Heureux/Livernois and Louis Fontaine/Bienvenu), La Famille Livernois à la fosse (« Le Trou »), La Malbaie, after 1870
Gelatin silver print
19 x 15 cm

Livernois & Bienvenu (Élise L’Heureux/Livernois and Louis Fontaine/Bienvenu), Patin et raquette sur le Saint-Laurent, Québec, c.1870
Gelatin silver print
12 x 18.7 cm

Jules-Ernest Livernois, Monseigneur Charles-Félix Cazeau, c.1874–81
Cabinet card, gelatin silver print
Card: 10.5 x 6.3 cm; image: 9.4 x 5.7 cm

Louis-Prudent Vallée, advertisement for Vallée’s Views of Quebec, 1878
Albumen silver print
10.1 x 6.2 cm

Louis-Prudent Vallée, La Porte Saint-Louis, Québec, c.1879–90
Stereograph, albumen silver print
8.8 x 17.7 cm

Louis-Prudent Vallée, Le Château Frontenac vu du parc Montmorency, Québec, c.1890
Albumen silver print
17.6 x 22.6 cm

Jules-Ernest Livernois, L’abbé Dominique-Alfred Morisset, 1894 or 1895
Gelatin silver print
8.9 x 5.9 cm

Lida Moser, At the intersection of Saint-Flavien and Couillard streets, Québec, 1950
Gelatin silver print
26.8 x 28.6 cm

Claire Beaugrand-Champagne, Ti-Noir Lajeunesse, the blind fiddler, Saint-Jean-Baptiste Day, Disraeli, 1972
Gelatin silver print
10.2 x 17.2 cm

Michel Campeau, Fête religieuse portugaise, Montréal, Québec, from the series Week-end au Paradis Terrestre!, 1980
Silver gelatin print
40.4 x 50.5 cm

Donigan Cumming, Untitled (August 12, 1983), 1983
From Reality and Motive in Documentary Photography, Parts 1-3, 1982–86
Gelatin silver print
25.7 x 37.8 cm

Ian MacEachern, Hugh McIntyre, Art Pratten, John Clement, Murray Favro, Archie Leitch, Bill Exley, Greg Curnoe, John Boyle, Nihilist Spasm Band, York Hotel, London, ON, 1968/2000
Gelatin silver print
27.9 x 35.6 cm

Bill Vazan, Lac Clair Sky Globe (Winter), c.1975
Chromogenic prints
23.1 x 34.7 cm each
© Bill Vazan / CARCC Ottawa 2023

Stan Denniston, Dealey Plaza/Recognition and Mnemonic, 1983
Colour and black and white photographs
Variable dimensions
© Stan Denniston / CARCC Ottawa 2023

Itee Pootoogook, still from “New Photos by Itee Pootoogook,” in Animation from Cape Dorset, 1973
Still image from a thirteen-minute video

Jacob van Ruisdael, Waterfall, 1660s
Oil on canvas
106.7 x 98.4 cm

William Henry Fox Talbot, The Haystack, April 1844
Salted paper print
19 x 22.9 cm; image: 16.4 x 21 cm

William Notman, The “Skating Queen,” c.1855
Albumen silver print
13.9 x 10.1 cm

George William Ellisson, Grey Nuns, 1861
Albumen silver print
20.2 x 17.6 cm

Alexander Henderson, Quebec from Point Levy, after 1865
Albumen silver print
17.1 x 22.2 cm

Alexander Henderson, Cape Trinity, Saguenay, c.1865–75
Albumen silver print
11.5 x 19 cm

William Notman and Henry Sandham, The Terra Nova Snowshoe Club, Montreal, 1875
Collage of albumen silver prints with graphite, watercolour, and gouache
37 x 63.9 cm

Four-lens camera (used for cartes-de-visite), c.1880
Wood, brass, glass, and leather
30 x 19 x 39.8 cm

Portraits of Horace Sewell, John Duff, Ruth Sewell, William G. Sewell, Gertrude Bonner, Prince Albert and Twenty Unidentified Sitters, c.1885, photographer unknown
Albumen silver prints
Mount: 27.2 x 22.3 cm

Portraits of John, George and Sidney Bonner, and Two Unidentified Sitters, c.1885, photographer unknown
Albumen silver prints
Mount: 27.2 x 22.3 cm

George Barker, Niagara Falls in Winter, c.1890
Albumen silver print
42.6 x 52.1 cm

Isshbel Maria Gordon (Lady Aberdeen), Marchioness of Aberdeen and Temair, Coldstream — Hops Going to Market, c.1896–97
Relief half-tone
35 x 27 cm; image: 8.9 x 11.9 cm

Minna Keene, Fruit Study, c.1905
Carbon print
25.6 x 31.6 cm

Minna Keene, Harvesters, c.1905, printed c.1920
Carbon print
27.6 x 20.4 cm; image: 27.6 x 20.4 cm

Harold Mortimer-Lamb, Laura Muntz Lyall, A.R.C.A., c.1907
Platinum print
24.4 x 19.4 cm; image: 20.5 x 15.6 cm

Harold Mortimer-Lamb, The Pool, c.1907
Gelatin silver print
27.4 x 35 cm

Minna Keene, Pomegranates, c.1910
Carbon print
49.6 x 33.9 cm

Harold Mortimer-Lamb, Southam Sisters, Montreal, c.1915–19
Gelatin silver print
32.9 x 41 cm

Margaret Watkins, Domestic Symphony, 1919
Palladium print
21.2 x 16.4 cm

Margaret Watkins, The Kitchen Sink, c.1919
Palladium print
21.3 x 16.4 cm

Margaret Watkins, Untitled (Still-life with Glass Bowl and Glasses), c.1928
Gelatin silver print
18.7 x 23.3 cm; image: 15.9 x 20.7 cm

John Vanderpant, Builders, c.1930
Gelatin silver print
34.3 x 26.7 cm

John Vanderpant, Untitled, c.1930
Gelatin silver print
35.3 x 27.8 cm

Eugene Haanel Cassidy, Welcome, c.1938
Gelatin silver print
18.3 x 24.9 cm

Sam Tata, Street Conversation, Shanghai, 1938
Gelatin silver print
17.7 x 27.8 cm; image: 16.5 x 24.2 cm

Yousuf Karsh, Winston Churchill, December 30, 1941, printed before September 1988
Gelatin silver print
50.2 x 40.7 cm

Sam Tata, Cultural Parade with Posters of Mao Tse-Tung and Chu Te, July 4, 1949, July 4, 1949, printed 1970
Gelatin silver print
50.8 x 40.6 cm; image: 34.4 x 22.5 cm

George Hunter, Wild Horse Race, Calgary Stampede, 1958
Dye transfer print
50.8 x 61 cm; image: 38.4 x 48.9 cm

Sam Tata, Lucie Guannel, Singer, Montreal, Quebec, 1961, printed 1968
Gelatin silver print
25.2 x 35.6 cm; image: 16 x 23.8 cm

Fred Herzog, Boys on Shed, 1962, printed 2008
Inkjet print
71.1 x 96.6 cm; image: 50.9 x 72.7 cm

Sam Tata, Angels, Saint-Jean-Baptiste Day, Montreal, Quebec, 1962
Gelatin silver print
29.2 x 36.8 cm; image: 22.6 x 34.1 cm

Roloff Beny, Birds in Flight, Straits of Juan de Fuca, 1965
Gelatin silver print
27.3 x 34.3 cm

Roloff Beny, Columbia Ice Field, Alberta, 1965
Gelatin silver print
30 x 39.9 cm

Michel Lambeth, The Parish of St. Nil, County of Matane, Gaspé, Quebec, May 1965, printed 1978
Gelatin silver print
35.4 x 27.9 cm; image: 25.4 x 17.2 cm

Ted Grant, Civil Rights March, Ottawa, 1965, printed 1995
Gelatin silver print
50.8 x 40.4 cm; image: 49.7 x 32.3 cm

Michael Semak, Untitled, January 1966
Gelatin silver print
35.5 x 27.8 cm; image: 34.2 x 23 cm
© Estate of Michael Semak / CARCC Ottawa 2023

Michael Semak, Children in Raincoats Blowing Bubbles, Paris, France, 1967
Gelatin silver print
25 x 35.3 cm; image: 21.9 x 32.6 cm
© Estate of Michael Semak / CARCC Ottawa 2023

Michael Snow, Authorization, 1969
Instant silver prints (Polaroid) and adhesive tape on mirror in metal frame
54.6 x 44.4 x 1.4 cm with integral frame

Pierre Gaudard, 7-Up, Montreal, Quebec, 1970
Gelatin silver print
27.8 x 35.4 cm; image: 21.5 x 30.4 cm

Roy Kiyooka, StoneDGloves, 1970
Gelatin silver print, mounted on cardboard
67.9 x 100.4 cm

Lynne Cohen, Living Room, Racine Wisconsin, 1971–72
Gelatin silver print
11.8 x 16.6 cm

Kan Azuma, Untitled (from Erosion series), 1973
Gelatin silver print
25.3 x 25.2 cm; image: 12.5 x 18.2 cm

Sylvain P. Cousineau, The Boat, 1973, printed 1976
Gelatin silver print
20.3 x 25.3 cm; image: 15.8 x 23.4 cm

Walter Curtin, Fujiko Imajishi Rehearsing for a Canadian Broadcasting Commission Recording at St. James, Toronto, 1973, printed 1974
Gelatin silver print
40.5 x 50.7 cm; image: 24 x 35.1 cm

Gabor Szilasi, Mrs. Marie-Jeanne Lessard, Saint-Joseph-de-Beauce, 1973
Gelatin silver print
35.3 x 27.8 cm; image: 33.4 x 26 cm

Lynne Cohen, “Hair Haven” Beauty Salon, Watertown, New York, 1974
Gelatin silver print
35.3 x 43 cm; image: 19.1 x 24.4 cm

Tom Gibson, Man and Bus, 1974
Gelatin silver print
40.5 x 50.8 cm; image: 19.4 x 29.1 cm

Thaddeus Holownia, Untitled, 1974–77, printed 1996
Gelatin silver print
20.4 x 50.4 cm; image: 19.4 x 49.7 cm

Thaddeus Holownia, Untitled, 1974–77, printed 1996
Gelatin silver print
20.4 x 50.4 cm; image: 19.4 x 49.7 cm

Orest Semchishen, Holy Ghost Ukrainian Church, Derwent, Alberta, 1974, printed 1990
Gelatin silver print
27.8 x 35.4 cm; image: 22.4 x 29 cm

Michael Torosian, Michael Snow, 1988, printed 1989
Gelatin silver print, toned
35.3 x 27.6 cm; image: 32.3 x 24.8 cm

Charles Gagnon, SX 70, 1976
Instant dye print (Polaroid)
10.8 x 8.8 cm; image: 7.9 x 7.8 cm

Arnaud Maggs, 64 Portrait Studies, 1976–78 (detail), 1976–78
Gelatin silver prints
40.4 x 40.4 cm each; image: 37.9 x 38.2 cm each

Arnaud Maggs, 64 Portrait Studies, 1976–78 (detail), 1976–78
Gelatin silver prints
40.4 x 40.4 cm each; image: 37.9 x 38.2 cm each

Lynne Cohen, Government Employment Office, Ottawa, Ontario, 1977
Gelatin silver print
38 x 38 cm; image: 19.5 x 24.4 cm

Sandra Semchuk, Self-portrait Taken in Baba’s Bedroom on the Day I Said Goodbye to Her, Meadow Lake, Saskatchewan, April 12, 1977, April 12, 1977
Gelatin silver print
27.9 x 35.4 cm; image: 22.3 x 26.7 cm

Gabor Szilasi, Bathroom, Lotbinière, 1977, printed 1979
Dye-coupler print (Ektacolor),
25.6 x 19.6 cm

Robert Frank, Sick of Goodby’s, 1978, printed 1979
Gelatin silver print
35.3 x 27.9 cm; image: 34.4 x 23.1 cm

Jeff Wall, The Destroyed Room, 1978
Transparency in lightbox
159 x 229 cm

Evergon, Broken Egg Collection, 1979
Electrostatic print with electrostatic print overlay
35.6 x 21.7 cm

Gabor Szilasi, Andrea Szilasi in her bedroom, Westmount, Quebec, 1979, 1979
Gelatin silver print and chromogenic print (Ektacolor)
35.3 x 27.8 cm each; image 1: 23.4 x 29.6 cm; image 2: 23.8 x 30 cm

Thaddeus Holownia, Lower Dorchester, October 1980
Gelatin silver print
20.3 x 47 cm; image: 16.5 x 40.5 cm

Arnaud Maggs, André Kertész, 144 Views, December 8, 1980
Four gelatin silver prints
86.9 x 79.9 cm

Evergon, Duck over Pierre, 1982
Twelve instant dye prints (Polaroid SX-70)
55.8 x 40.6 cm; image: 36.5 x 17.8 cm

Marian Penner Bancroft, 2:50 a.m. Mission Memorial Hospital … six hours into labour … Judy and Tennyson … dance a slow one (detail), 1982
Gelatin silver prints
66 x 293.1 cm overall; 66 x 97.7 cm each

Edward Burtynsky, Kennecott Copper Mine, Bingham Valley, Utah, 1983
Chromogenic print (Ektacolor)
50.7 x 60.8 cm; image: 45.6 x 55.8 cm

Sorel Cohen, An Extended and Continuous Metaphor No. 6, 1983
Three dye-coupler prints
Centre panel: 179.5 x 205 cm; side panels: 119 x 119 cm each
© Sorel Cohen / CARCC Ottawa 2023

Thaddeus Holownia, Lower Dorchester, August 1983
Gelatin silver print
20.2 x 46.9 cm; image: 16.5 x 40.5 cm

Edward Burtynsky, Inco, Abandoned Mine Shaft, Crean Hill Mine, Sudbury, Ontario, 1984, printed 1992
Dye-coupler print (Ektacolor)
76.1 x 101.4 cm; image: 68.1 x 86.5 cm

Angela Grauerholz, Jean Blodgett, 1984, printed 1990
Gelatin silver print
144.3 x 102 cm; image: approx. 91 x 90.5 cm

Angela Grauerholz, Monica Haim, 1984, printed 1990
Gelatin silver print
144.3 x 102 cm; image: approx. 91 x 90.5 cm

Carl Beam, The North American Iceberg, 1985
Instant dye print (Polaroid)
20 x 25.2 cm; image: 19.1 x 24 cm
© Estate of Carl Beam / CARCC Ottawa 2023

Donigan Cumming, Untitled (August 12, 1983), 1983
From Reality and Motive in Documentary Photography, Parts 1-3, 1982–86
Gelatin silver print
25.7 x 37.8 cm

Evergon, Homage to the Old Man in Red Turban — The Burning of the Heretics, 1985
Instant dye print, Polaroid
20 x 25.2 cm

Evergon, Le Pantin, 1985
Instant dye print (Polaroid)
244.1 x 113.1 cm; image: 241.3 x 110.5 cm

Sandra Semchuk, Baba’s Garden, Hafford, Saskatchewan 1985–1986, 1985–86
Azo dye prints (Cibachrome)
27.7 x 35.3 cm each; image: 26.7 x 34.5 cm each

Ken Lum, Amrita and Mrs. Sondhi, 1986
Dye-coupler print and acrylic paint on opaque Plexiglas
102 x 225.9 x 6.3 cm irregular

Susan McEachern, Part Four: The Outside World (detail), 1986–87
Six chromogenic prints
40.6 x 50.8 cm each

Serge Tousignant, Still-Life with Art Works, 1986
Chromogenic prints (Ektacolor)
1: 135.4 x 103.7 cm; image: 122.3 x 97.5 cm; 2: 135.6 x 103.8 cm; image: 122.3 x 97.4 cm; 3: 135.5 x 103.8 cm; image: 122 x 97.1 cm; 4: 135.5 x 103.7 cm; image: 122.5 x 97.2 cm

Ken Lum, Boon Hui, 1987
Dye-coupler print and plastic Letraset on opaque Plexiglas
100.3 x 243.8 x 5.4 cm

Geneviève Cadieux, Memory Gap, an Unexpected Beauty, 1988
Dye-coupler print and mirror on wood
Assembled: 208 x 472 x 14 cm; photograph: 208 x 335 x 14 cm; mirror: 208 x 137 x 14 cm

Alvin Comiter, Old Town Clock, Citadel Hill, Halifax, 1988
Gelatin silver print
27.9 x 35.3 cm; image: 24.2 x 30.6 cm

Arnaud Maggs, The Complete Prestige 12” Jazz Catalogue, 1988
828 azo dye prints (Cibachrome)
20.3 x 25.4 cm each; installation: 400.1 x 1053.5 cm

Sandra Semchuk, Self-portrait, Galiano Island, British Columbia, 1988, 1988, printed 1989
Azo dye prints (Cibachrome)
27.9 x 35.6 cm each

Jeff Thomas, Bear at Higgins Street, Winnipeg, Manitoba, 1989
Gelatin silver print
47.2 x 29.7 cm; image: 33 x 22.9 cm

Blake Fitzpatrick, Biomechanics Lab—Biomechanical Models, 1984
Kodak paper, type “C” colour print
40.6 x 50.7 cm

P.Mansaram, Boxers at the Entrance of a Toronto Subway, 1976
Paper cut-out on a gelatin silver print
28 x 35.5 cm

Mary Schäffer, Lonicera Bractulata, Fly honeysuckle, c.1896–1905
Hand-tinted lantern slide

Mary Schäffer, Hiker picking flowers beneath Vice President and President, c.1900–20
Hand-tinted lantern slide

Mary Schäffer, Mary Schaffer with horse, c.1907–11
Hand-tinted lantern slide

Mary Schäffer, Looking for goat while baking bread (Camp at lower end of Maligne Lake), 1908
Hand-tinted lantern slide

Mary Schäffer, Chamaenerion angustifolium (Fireweed), c.1910
Hand-tinted lantern slide

Murray McKenzie, Elder Mary Monias (100) from Cross Lake First Nation, c.1967–96
Silver print on paper
35.5 x 28 cm

John Paskievich, Untitled, from the series North End, Winnipeg, 1976
Silver print on paper, silver halide
30.2 x 20.1 cm

Geoffrey James, Saint-Cloud, 1984
Silver print on paper
Image: 8.5 x 26.5 cm; on mount: 13.5 x 31.1 cm

Evergon, Re-enactment of Goya’s Flight of the Witches, ca 1797–98, 1986
Polaroid on paper
(a) panel: 244 x 108.5 cm; (b) panel: 244 x 108.5 cm; (c) panel: 244 x 108.5 cm; (d) panel: 201.9 x 103.3 cm

Marian Penner Bancroft, Mnemonicon (The Screen), 1988
Silver gelatin print on panel
203 x 307.5 x 4.8 cm