In this chapter, artists are presented as beacons shining a light on Quebec City’s history, from the pre-contact period to the present day. The dazzling creativity of the local art scene is rooted in the ideals and commitments of its artists, dictated by the colonial policies of one era or by the transgression of those same policies later in history, then motivated by the affirmation of identity or by the profusion of visual languages in the twentieth century. This selection, spanning a wide range of artistic disciplines, aims to inspire readers to continue exploring the creators profiled here and the hundreds of others who have made Quebec City an exceptional cultural capital.
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First Nations Creators of the Beads of Diplomacy
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Samuel de Champlain (c.1570–1635)
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Claude François, Known as Frère Luc (1614–1685)
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Marie Lemaire des Anges (1641–1717)
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Pierre-Noël Levasseur (1690–1770)
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François Baillairgé (1759–1830)
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Laurent Amiot (1764–1839)
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Jean-Baptiste Roy-Audy (1778–c.1846)
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James Pattison Cockburn (1779–1847)
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Gerome Fassio (1789–1851)
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Millicent Mary Chaplin (1790–1858)
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Joseph Légaré (1795–1855)
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Antoine Plamondon (1804–1895)
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Cornelius Krieghoff (1815–1872)
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Zacharie Vincent Telari-o-lin (1815–1886)
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Théophile Hamel (1817–1870)
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Jules-Ernest Livernois (1851–1933)
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Louis Jobin (1845–1928)
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Charles Huot (1855–1930)
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Horatio Walker (1858–1938)
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Jean Paul Lemieux (1904–1990)
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Simone Hudon (1905–1984)
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Omer Parent (1907–2000)
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Jocelyne Alloucherie (b.1947)
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Paul Béliveau (b.1954)
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Diane Landry (b.1958)
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Claudie Gagnon (b.1964)
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Giorgia Volpe (b.1969)
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BGL (active from 1996 to 2021)
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Ludovic Boney (b.1981)
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About the Author
Michèle Grandbois is an independent art historian. She taught art history before becoming a curator at the Musée national des beaux-arts du Québec (1987–2014).
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Acknowledgements
The Art Canada Institute gratefully acknowledges the support of its generous sponsors.