Where to See

Robert Clow Todd, The Ice Cone, Montmorency Falls, Québec, c.1845

Oil on canvas

51.2 x 67.9 cm

Cornelius Krieghoff, Montmorency Falls, 1853
Oil on canvas
91.4 x 121.9 cm

Cornelius Krieghoff, The Steamship Quebec, 1853
Oil on canvas
68 x 93.5 cm

Cornelius Krieghoff, The Narrows on Lake St. Charles, 1859
Oil on canvas
36.1 x 54 cm

Jean Paul Lemieux, Janvier à Québec (January in Quebec City), 1965
Oil on canvas
106.4 x 151.5 cm

Alfred Pellan, Peintre au paysage (Painter in Landscape), c.1935

Oil on canvas

79 x 180 cm

Cornelius Krieghoff, Merrymaking, 1860

Oil on canvas

88.9 x 121.9 cm

Mrs. Paul Thomas, basket, 1911 or earlier
Sweet grass, wood
11.2 cm (height), 21.3 cm (outside diameter)

Francis Back, Scène de traite, Québec, 1628 (Trading Scene at Quebec, 1628), 1994
Watercolour pencil

42 x 60 cm (framed); 38.7 x 57 cm (image)

Henry Daniel Thielcke, Présentation d’un chef nouvellement élu au Conseil de la tribu huronne de Lorette (Presentation of a Newly Elected Chief to the Council of the Huron Tribe of Lorette), 1840
Oil on canvas
127 x 107 cm

Jordi Bonet, Mort – Espace – Liberté (Death – Space – Freedom) or Passé, présent, future (Past, Present, Future) (detail), 1969
Three-panel mural, bas-relief in cement on metal mesh

Approximately 1,200 square metres

Teharihulen Michel Savard, Réciprocité (Reciprocity), 2009

Mixed media

35.5 x 29 cm

Danielle April, Au fil d’une vie (Thread of a Life), 1999
Glass, titanium, and aluminum

Dimensions variable

Guido Molinari, Michel Dallaire (designer), Solstice, n.d.

Glass

8 m

Once-known artist, wampum belt, eighteenth century

Shell: northern quahog (Mercenaria mercenaria), knobbed whelk (Busycon carica); hide fibre: hemp

7.5 cm (width) x 0.3 cm (depth) x 99 cm (length)

Once-known artist, The Two Dog Wampum, 1721–81

Shell: northern quahog (Mercenaria mercenaria), knobbed whelk (Busycon carica); hide: deer buckskin (Odocoileus virginianus); fibre; pigment: red ochre

20 x 0.5 x 238 cm (with fringes); 20 x 0.5 x 169.5 cm (without fringes)

Charles Duval, Hausse-col décoratif (Ornamental Gorget), 1798–1800
Silver
15 cm (diameter)

Livernois & Bienvenu, L’ancien Collège des Jésuites, Québec, QC, vers 1870 (Old Jesuit monastery from tower of basilica, Quebec City, QC, about 1870), c.1900
Gelatin silver print
12.4 x 19.5 cm

Wm. Notman & Son, Château Frontenac and Dufferin Terrace, Quebec City, QC, 1915 (?), c.1915

Silver salts on glass, gelatin dry plate process

10.1 x 12.6 cm

Diane Landry, Brise-glace (Icebreaker), 2013
Video, 9 min 50 sec, video performance for HD projection or video loop monitor

Unknown French artist, Ciboire (Ciborium), 1641
Vermeil
31 cm (height)

Frère Luc (né Claude François), Assomption de la Vierge (Assumption of the Virgin), 1671
Oil on canvas
205.7 x 157.5 cm

Ursuline Workshop of Quebec, Chasuble, c.1720
Silk, gold, silver
125.5 x 76 x 6 cm

Unknown Canadian artist, after an unknown French artist, Le cardinale de Richelieu (Cardinal Richelieu), 1754 (after the 1639 original)
Oil on canvas
112.5 x 80 cm

Antoine Plamondon, after Jean-Baptiste Guérin, L’abbé Philippe-Jean-Louis Desjardins (The Abbé Philippe-Jean-Louis Desjardins), c.1826–30
Oil on canvas
72.3 x 60.3 cm

Joseph Légaré, Québec vue de la Pointe-Lévis (View of Quebec City from Pointe De Lévy), c.1840–42
Oil on canvas
90 x 120 cm

Charles Huot, La leçon de couture (The Sewing Lesson), 1886
Oil on canvas
66 x 126 cm

Alfred Pellan, Les pensées (Pansies), c.1935–37
Oil on canvas
81.5 x 100.5 cm

Jean Paul Riopelle, L’étang—Hommage à Grey Owl (The Pond—Homage to Grey Owl), 1970
Oil on canvas
299.5 x 400 cm

Kent Monkman, Les castors du roi (The King’s Beavers), 2011

Acrylic on canvas

243.8 x 213.4 cm

Claudie Gagnon, Collections, le temps suspendu (Collections, Time Suspended), 2014
Glass, steel, aluminum
200 x 300 x 300 cm

Once-known St. Lawrence Iroquoian creator, axe head, 1000–400 BCE
5.6 x 14 x 2 cm

Nicolas Dolin (attributed), Calice (Chalice), 1850 or later

Gold, silver
31.8 cm (height), 19 cm (diameter)

Artist unknown, Patène (Paten), 1850 or later
Silver, gold
1.2 cm (height), 19.3 cm (diameter)

Artist unknown, François de Laval, premier évêque de Québec (François de Laval, First Bishop of Quebec), 1708
Print

Pierre Dulin, Saint Jérôme entendant la trompette du Jugement dernier (Saint Jerome Hearing the Trumpet of the Last Judgment), 1717
Oil on canvas
242 x 193.5 cm

Jean Restout (attributed), Le repos de la Sainte Famille durant la Fuite en Égypte (The Holy Family Rest on the Flight into Egypt), c.1750

Oil on canvas

224 x 188.5 cm

Once-known Wendat artist, chief headdress, eighteenth and early nineteenth centuries
Moose hair, porcupine quill, fibre, blackened leather, wild turkey feathers, tin
50 x 39 cm

Théophile Hamel, Autoportrait au paysage (Self-Portrait in the Landscape), c.1841–43

Oil on canvas

140 x 119.5 cm

Zacharie Vincent Telari-o-lin, Les chutes de Lorette (Lorette Falls), c.1860
Oil on cardboard
48 x 60.6 cm

Once-known Wendat artist, fan, c.1860
Ostrich and blackbird feathers, birch bark, wool, moose hair, porcupine quill
41 x 29.5 x 7 cm

Once-known Wendat artist, skirt and redingote dress, c.1875
Wool, cotton, silk, moose hair, porcupine quill
120 x 90 cm

Zacharie Vincent Telari-o-lin, Autoportrait (Self-Portrait), c.1875–78
Oil on canvas
62 x 53 cm

Ludovic Boney, Les arches d’entente (The Arches of Understanding), 2020
Aluminum
830 x 350 x 150 cm

Frère Luc (né Claude François), L’ange gardien (The Guardian Angel), 1671
Oil on canvas
248 x 159.5 cm

Marie-Anne Loir (attributed), Gaspard-Joseph Chaussegros de Léry, fils (Gaspard-Joseph Chaussegros de Léry, Son), 1751–52
Oil on canvas
80.8 x 64.9 cm

Antoine Benoist, after Richart Short, Vue du Palais épiscopal et de ses ruines, comme elles paraissent sur la montagne depuis la Basse-Ville (A View of the Bishop’s House with the Ruins, as They Appear in Going Up the Hill from the Lower to the Upper Town), 1761
Etching
35 x 50.5 cm (paper); 32.4 x 50.5 cm (image)

François Baillairgé, Académie d’homme assis, de trois quarts dos, la tête penchée vers l’avant (Academic Drawing of a Seated Male, Three-Quarter Back View, Head Tilted Forward), c.1778–81
Red chalk and graphite on paper
53.5 x 38.5 cm

François Baillairgé, Vue de Paris, de la chambre de François Baillairgé (View of Paris from the Room of François Baillairgé), 1780
Charcoal on paper

41 x 24.3 cm

François Baillairgé, Projet de figure de proue du navire « Royal Edward » (bâbord) (Figurehead Design for the Ship “Royal Edward” [Port]), 1793
Watercolour on paper
38.5 x 51.2 cm

François Baillairgé, Projet de figure de proue du navire « Royal Edward » (tribord) (Figurehead Design for the Ship “Royal Edward” [Starboard]), 1793
Watercolour on paper
39 x 52.4 cm

Unknown artist, after Hervey Smythe, Vue de la prise de Québec, le 13 septembre 1759 (View of the Taking of Quebec, September 13, 1759), 1797
Steel engraving with watercolour highlights
35.9 x 47.8 cm (paper); 31.5 x 46.7 cm (image)

Jean-Baptiste Roy-Audy, Sainte Marie-Madeleine or La Madeleine en pleurs (Saint Mary Magdalene or The Weeping Magdalene), 1819

Oil on canvas

69.5 x 58 cm

Laurent Amiot, Encensoir (Censer), c.1820
Silver
24.2 cm (height) x 11.5 cm (diameter)

Jean-Baptiste Roy-Audy, Le baptême du Christ (The Baptism of Christ), 1821
Oil on canvas
199.6 x 104 cm

Jean-Baptiste Roy-Audy, Le Christ en croix (Christ on the Cross), 1823
Oil on canvas
200.7 x 104.4 cm

Joseph Légaré, La vision de Saint Roch (The Vision of Saint Roch), c.1825
Oil on canvas
77.5 x 115.6 cm

Jean-Baptiste Roy-Audy, Autoportrait (Self-Portrait), 1826
Oil on canvas
66.2 x 54.5 cm

Jean-Baptiste Roy-Audy, Le docteur François-Olivier Boucher (Doctor François-Olivier Boucher), c.1826–31
Oil on canvas
65.8 x 55.7 cm

Jean-Baptiste Roy-Audy, Madame François-Olivier Boucher, née Marie-Luce Deligny (Mrs. François-Olivier Boucher, née Marie-Luce Deligny), c.1826–31

Oil on canvas, 65.9 x 55.9 cm

Joseph Légaré, Le massacre des Hurons par les Iroquois (The Massacre of the Hurons by the Iroquois), 1827–28
Oil on canvas
63 x 83.8 cm

James Pattison Cockburn, La porte Dalhousie, Québec (Dalhousie Gate, Quebec City), c.1829
Watercolour on paper
15.2 x 23.8 cm

James Pattison Cockburn, La place du marché, Québec (Market Place, Quebec City), 1829/30
Watercolour and graphite on paper
27 x 37.4 cm

James Pattison Cockburn, Le cône de glace de la chute Montmorency (The Ice Cone of Montmorency Falls), c.1830
Watercolour, graphite, with gouache and gum arabic highlights on paper mounted on cardboard
39.5 x 55.2 cm

Gerome Fassio, Giovanni Domenico Balzaretti, c.1835–40
Watercolour on ivory
6.9 x 5.6 cm

Gerome Fassio, Madame Giovanni Domenico Balzaretti, née Madeleine Romain (Mrs. Giovanni Domenico Balzaretti, née Madeleine Romain), c.1835–40
Watercolour on ivory
6.5 x 5.5 cm

Joseph Légaré, Paysage au monument à Wolfe (Landscape with Monument to Wolfe), c.1845
Oil on canvas
132.4 x 175.3 cm

Joseph Légaré, L’incendie du quartier Saint-Jean à Québec, vu vers l’ouest (The Fire in the Saint-Jean Quarter, Seen Looking Westward), c.1845–48
Oil on canvas
82 x 110.7 cm

Gerome Fassio, Clément Cazeau, c.1846
Watercolour on ivory
7.1 x 5.7 cm

Gerome Fassio, Madame Clément Cazeau, née Julie Hamelin (Mrs. Clément Cazeau, née Julie Hamelin), c.1846
Watercolour on ivory
7.3 x 10.3 cm

Théophile Hamel, Jacques Cartier, 1848
Oil on canvas
130 x 96.9 cm

Théophile Hamel, Autoportrait dans l’atelier (Self-Portrait in the Studio), c.1849
Oil on canvas
53.8 x 42 cm

Théophile Hamel, Madame Cyrice Têtu, née Caroline Dionne, et son fils Amable (Mrs. Cyrice Têtu, née Caroline Dionne, and Her Son Amable), 1852
Oil on canvas
122 x 91 cm

Zacharie Vincent Telari-o-lin, Zacharie Vincent et son fils Cyprien (Zacharie Vincent and His Son Cyprien), c.1852–53
Oil on canvas
48.5 x 41.2 cm

Louis Jobin, Le char de l’agriculture (The Chariot of Agriculture), 1880
Polychrome wood, iron, and metal
450 x 497 x 233 cm

Louis Jobin, Indien (Indigenous Figure), c.1885
Polychrome white pine
182 x 54 x 46 cm

Jules-Ernest Livernois, La Haute-Ville et l’hôtel du Parlement vus de l’Université Laval, Québec (Upper Town and the Parliament Building Seen from Université Laval, Quebec City), c.1890
Gelatin silver print
12 x 21.5 cm

Jules-Ernest Livernois, Le musée de physique de l’Université Laval, Québec (The Physics Museum at Université Laval, Quebec City), c.1890
Gelatin silver print
11.4 x 19.1 cm

Jules-Ernest Livernois, La Pinacothèque de l’Université Laval, Québec (The Pinacotheca at Université Laval, Quebec City), c.1890
Gelatin silver print
11.5 x 19.2 cm

William Notman, La Citadelle de Québec vue du fleuve Saint-Laurent (The Citadel of Quebec Viewed from the Saint Lawrence River), c.1890
Gelatin silver print
25.3 x 30.2 cm (cardboard); 19 x 24.2 cm (image)

Jules-Ernest Livernois, Le Château Frontenac et la terrasse Dufferin vus de l’Université Laval, Québec (Château Frontenac and Dufferin Terrace Viewed from Université Laval, Quebec City), c.1894
Gelatin silver print
12.1 x 19.7 cm

Jules-Ernest Livernois, Le grand escalier du Grand Séminaire, Québec (The Grand Staircase of the Grand Séminaire, Quebec City), from the album Maisons d’éducation de la province de Québec, c.1895
Gelatin silver print
19.2 x 11.4 cm

Jules-Ernest Livernois, Le musée de zoologie de l’Université Laval, Québec (The Zoology Museum at Université Laval, Quebec City), from the album Maisons d’éducation de la province de Québec, c.1895
Gelatin silver print
11.2 x 19.3 cm

Horatio Walker, Labour aux premières lueurs du jour (Ploughing—The First Gleam), 1900
Oil on canvas
153 x 193.9 cm

Charles Huot, La cour intérieure du Séminaire de Québec (The Inner Courtyard of the Séminaire de Québec), c.1902
Oil on canvas
38.6 x 51.6 cm

Thaddée Lebel, École des beaux-arts de Québec, c.1903–46
Gelatin silver print
19.3 x 24.4 cm

Charles Huot, Cinghalais fumant le narguilé (Sinhalese Man Smoking a Hookah), 1905/6
Oil on canvas
81.3 x 121.3 cm

Charles Huot, L’atelier du peintre (The Painter’s Studio), 1909
Oil on canvas
69.5 x 87.2 cm

Horatio Walker, La traite du matin (The Morning Milking), 1910
Oil on canvas
50.8 x 40.8 cm

Henry Ivan Neilson, Le dragage de la rivière Saint-Charles, Québec (The Deepening of the St. Charles River, Quebec), 1913
Colour etching, soft ground, and drypoint,
32.2 x 43 cm (paper); 20.3 x 30 cm (image)

Clarence Gagnon, Le pont de glace à Québec (The Ice Bridge in Quebec), 1920
Oil on canvas
56.7 x 74.5 cm

Horatio Walker, La traite du matin (The Morning Milking), 1925
Oil on canvas
127.2 x 102 cm

Fernand Léger, L’anniversaire (The Anniversary), c.1925–50
Lithograph
68.2 x 54.3 cm

Jules-Ernest Livernois, Le dortoir des Augustines au monastère de l’Hôtel-Dieu de Québec (Dormitory of the Augustinian Sisters at the Hôtel-Dieu de Québec Monastery), c.1925
Gelatin silver print
20.3 x 25.5 cm (cardboard); 12.3 x 17.5 cm (image)

Omer Parent, Illustration pour l’affiche « Have a Camel » (Illustration for the “Have a Camel” Poster), 1926
Gouache on cardboard
51 x 40 cm

Pierre-Aimé Normandeau, Médaille de l’École des beaux-arts de Québec (Medal of the École des beaux-arts de Québec), 1928–31
Bronze
7.4 cm (diameter)

Simone Hudon, Rue Saint-Flavien à Québec (Saint-Flavien Street in Quebec City), c.1930–44
Etching and drypoint
24.9 x 20 cm (paper); 20.2 x 15 cm (image)

Simone Hudon, La basilique (The Basilica), c.1930–45
Watercolour and graphite on paper
28 x 27.7 cm

Alfred Pellan, Jeune fille au col blanc (Young Girl with White Collar), c.1934
Oil on canvas
91.7 x 73.2 cm

Omer Parent, Un coin de Québec (A Corner of Quebec City), c.1937
Gelatin silver print
25 x 19.5 cm

Alfred Pellan, Fleurs et dominos (Flowers and Dominoes), c.1940
Oil on canvas
116 x 89.4 cm

Omer Parent, Autoportrait (Self-Portrait), c.1940
Gelatin silver print
21.4 x 16.4 cm

Jean Paul Lemieux, La Fête-Dieu à Québec (Corpus Christi, Quebec City), 1944
Oil on canvas
152.7 x 122 cm

Omer Parent, Nature morte (Still Life), 1944
Oil on canvas
61.3 x 76.7 cm

Jean-Philippe Dallaire, La publicité et la décoration (Advertising and Decoration), 1947
Oil on canvas
222.5 x 229 cm

Omer Parent, Sans titre (Untitled), 1948
Gelatin silver print
26.5 x 27.7 cm

Edmund Alleyn, Lac Brome de la Suite québécoise (Lake Brome from the Quebec Suite), 1973–74
Acrylic on canvas and Plexiglas panels
211 x 366 cm (canvas); 173 x 310 cm (angled panels)

Bill Vazan, Pression/Présence (Pressure/Presence), 1979, printed 1999
Ilfochrome
153.3 x 127 cm (paper); 124.7 x 99.2 cm (image)

Richard Mill, Sans titre (M-1351) (Untitled [M-1351]), 1989
Acrylic on canvas
168 x 168 cm

Paul Lacroix, Pied (Foot), 1991
Stone
7 x 31 x 15 cm

BGL, Poêle à bois (Wood Stove), 1997
Reclaimed wood and marquetry
236 x 368 x 249 cm (overall)

BGL, Perdu dans la nature (La piscine) (Lost in Nature [The Pool]), 1998
Reclaimed and painted wood
115 x 497 x 386 cm (pool); 200 cm (platform height)

Claudie Gagnon, Lustre (Chandelier), 1998, 2008 version
Glass, metal, nylon, and halogen lighting
170 cm (height) x 115 cm (diameter)

Jocelyne Alloucherie, Œuvres de sable (Les Déserts nº 3) (Sand Works [The Deserts No. 3]), 1999
Cedar, mahogany, plaster, and sand
198 x 183 x 46 cm

Diane Landry, Mandala Naya, de la série Le déclin bleu (Mandala Naya, from the Blue Decline Series), 2002
Plastic bottles and laundry basket, tripod, motor, aluminum, wood, and halogen lighting,
100 x 100 x 50 cm (device); 800 x 400 cm (projection)

Marcel Jean, Nº 1115, de la suite Les grâces (No. 1115, from the series The Graces), 2003
Acrylic and charcoal on canvas
214 x 612 cm (overall)

BGL, Jouet d’adulte 2 (Adult Toy 2), 2003–12
Used all-terrain vehicle, arrows, aluminum, and paint
115 x 110 x 170 cm

Claudie Gagnon, Les époux Arnolfini, tiré du cabaret de tableaux vivants Dindons et limaces (The Arnolfini Couple, from the cabaret of tableaux vivants Turkeys and Slugs), 2008
Tableau vivant featuring two performers, set and props (costumes, chandelier, and mirror)

Ludovic Boney, Une cosmologie sans genèse (A Cosmology Without Genesis), 2015
Aluminum, pigments, and steel cables
1,570 x 800 cm

Laurent Amiot, Théière Regency (Regency Teapot), c.1815
Silver and wood
15.8 x 26.3 x 16.3 cm

Charles Ramus Forrest, Quebec Taken from the House of James Caldwell, 1822
Watercolour over graphite on wove paper, mounted on wove paper
46 x 72 cm

James Smillie Jr., after William Wallace, The Quebec Driving Club meeting at the Place d’Armes, c.1826
Etching, lavis, and watercolour on ivory wove paper
29.8 x 45.2 cm

Laurent Amiot, Coupe présentée à George Taylor (Cup Presented to George Taylor), 1827
Silver
30.7 x 16.8 x 16.7 cm

James Pattison Cockburn, The Citadel of Quebec from the Ice, 1831
Watercolour over graphite on wove paper
15.3 x 23.9 cm

Antoine Plamondon, Le dernier Huron (Zacharie Vincent) (The Last of the Hurons [Zacharie Vincent]), 1838
Oil on canvas
114.7 x 97 cm

Robert Clow Todd, The Allan Gilmour and Company Shipyard at Anse au Foulon, Quebec City, Seen from the West, 1840
Oil on canvas
74.5 x 120 cm

Antoine Plamondon, Sœur Saint-Alphonse (Sister Saint-Alphonse), 1841
Oil on canvas
90.6 x 72 cm

Edmund Morris, Cove Fields, Quebec, 1906
Oil on canvas
77.5 x 103.7 cm

James Wilson Morrice, The Ferry, Quebec, 1907
Oil on canvas
62 x 81.7 cm

Alfred Pellan, Jeune fille aux anémones (Girl with Anemones), c.1932
Oil on canvas
116 x 88.8 cm

Once-known St. Lawrence Iroquoian creator, corn ear vessel, c.1350–1600
Terracotta
29 x 21 cm

Artist unknown, gilded pedestal, seventeenth century

Wood, plaster, gold and pigment

23 x 26 x 26 cm

Marie de l’Incarnation (née Marie Guyart) (attributed), Ursuline Workshop of Quebec, Parement d’autel dit de l’éducation de la Vierge (Altar Frontal Known as The Education of the Virgin), second half of the seventeenth century

Altar frontal in white wool serge; appliqué embroidery in polychrome wool and silk thread on a wool serge background; oil on canvas

158.5 x 87.7 x 2.4 cm

Marie de l’Incarnation (née Marie Guyart) (attributed), Parement d’autel dit de sainte Marie-Madeleine pénitente (Altar Frontal Known as Saint Mary Magdalene Penitent), second half of the seventeenth century
Watercolour on glue-prepared wood
88 x 163.5 cm

Marie Lemaire des Anges (née Marie Lemaire) (attributed), Ursuline Workshop of Quebec, Parement d’autel dit de la Nativité (Altar Frontal Known as The Nativity), second half of the seventeenth century
Wool and polychrome silk thread, spun and frisé gold and silver thread with foil, purl and sequins, filé riant with a silk core, bobbin lace with spun, frisé and silver foil thread, and distemper on silk (medallion)
95 x 261 x 4 cm

Marie Lemaire des Anges (née Marie Lemaire) (attributed), Parement d’autel dit de l’Immaculée Conception (Altar Frontal Known as The Immaculate Conception), second half of the seventeenth century

distemper: polychrome wool and silk thread, gold and silver thread with blade, cannetille and paillette, bobbin lace with thread, crimp and silver blade; central medallion: distemper on canvas

261.5 x 94.6 cm

Artist unknown, La France apportant la foi aux Hurons de Nouvelle-France (France Bringing Faith to the Hurons of New France), c.1666
Oil on canvas
229.5 x 229.5 cm

Frère Luc (né Claude François), La Sainte Famille à la Huronne (The Holy Family with a Huron Woman), c.1671
Oil on canvas
121.9 x 106.7 cm

Hugues Pommier (attributed), Portrait de mère Marie de l’Incarnation (Portrait of Mother Marie de l’Incarnation), 1672
Oil on canvas
100 x 77 cm

Pierre-Noël Levasseur, Ange à la trompette (Angel with a Trumpet), c.1726
Polychromed wood
96 cm (height)

Pierre-Noël Levasseur, Retable principal (Main Altarpiece), 1726–36
Medium unknown

Dimensions unknown

Pierre-Noël Levasseur, Saint Jean Baptiste, socle de la première colonne de droite (Saint John the Baptist, Base of the First Column on the Right), first half of the eighteenth century
wood, coating, paint, gilding
95 x 43 x 3.6 cm

Pierre-Noël Levasseur, Statue de sainte Ursule, patronne des Ursulines (Statue of Saint Ursula, Patron Saint of the Ursulines), eighteenth century
Assembled, carved, and polychrome wood
171 x 71.5 x 58.5 cm

Émile Brunet, Monument de Marie de l’Incarnation (Monument to Marie de l’Incarnation), 1942
Bronze

Dimensions unknown

Charles Huot, La bataille des plaines d’Abraham (The Battle of the Plains of Abraham), c.1900
Oil on canvas
25.5 x 58.4 cm

Louis Jobin, Notre-Dame du Saguenay (Our Lady of the Saguenay), 1881
White pine covered with painted lead sheets and gold leaf
7.5 x 2 m

Jean Paul Lemieux, La médecine à Québec (Medicine in Quebec City), 1957
Oil on canvas
304.5 x 559 cm