Composition (Attack of the Tentacle Monsters) is a major work in the evolution of the practice of Shuvinai Ashoona (b.1961). It was first exhibited in 2015 in a collaborative two-person show at Feheley Fine Arts in Toronto and Pierre-François Ouellette art contemporain in Montreal. Titled Universal Cobra: Shuvinai Ashoona and Shary Boyle, this groundbreaking show included work by each artist, plus a number of exquisite collaborative drawings.
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Shuvinai Ashoona, Composition (Attack of the Tentacle Monsters), 2015
Ink and coloured pencil on paper, 96.5 x 123 cm, collection of Paul and Mary Dailey Desmarais
In Shuvinai’s body of work from the second decade of the twenty-first century, surreal elements reveal an increasing freedom in imagery that juxtaposes fantastical monsters, sea creatures, people, and popular culture in rich colour. Composition (Attack of the Tentacle Monsters) shows this to brilliant effect and is at once violent and humorously absurd. There are seldom explanations for Shuvinai’s imaginings; rather, they appear as dramatic stories that delight the artist.
The work showcases the progression and mastery of Shuvinai’s artistic vocabulary. Hers has become a world of the artist’s imaginings that is embedded in her Inuit upbringing and environs but remains singularly her own. Like the Surrealists before her, Shuvinai uses her imagination and free association to produce surprising, unexpected imagery.
This Spotlight is excerpted from Shuvinai Ashoona: Life & Work by Nancy G. Campbell.
Capturing the Lion
Royal Representation
Nostalgic narrative
Setting New Boundaries
Drifting through Meaning
Glass Transformations
Breaking the Frame
Painting the Unseen
The Face as a Canvas
Unpacking Identity
Boy in Blue
Cutting Edge
Moving Memories
The Weight of Absence
Abstract Alberta
The Art of the Body
Rococo Riff
In Memory of Monet
Pyramid Scheme
Transportive Trunks